28 Dec 2010: Pulsar & Anglagard

Pulsar's second album, 'The Strands of the Future', is one of the definite and undisputable masterpieces of French prog, and together with their next recording 'Halloween', incarnates the band's peak in terms of inspired writing and skillful performing. Their style keeps on being somewhat inspired in 73-75 era Pink Floyd, but there are also obvious references to Tangerine Dream and Jean-Michel Jarre's electronic excursions (powerful presence of multiple layers of synths and mellotrons), and also some compelling pastoral passages of flute and acoustic guitar in the 3-minute coda. (from "Orexis of Death" blog)
Studio Album, released in 1976 
Songs / Tracks Listing
1. The strands of the future (22:08)
2. Flight (2:37)
3. Windows (8:47)
4. Fool's failure (10:17)
Total Time: 43:49
Line-up / Musicians
- Victor Bosch / drums, percussion
- Gilbert Gandil / guitars, vocals
- Roland Richard / flute, strings
- Jacques Roman / organ, Mellotron, bass, synthesizers

Anglagard biography
Änglagård were a short-lived band who nonetheless generated critical acclaim and a loyal following in the early nineties with their brooding mellotron and synth heavy sound that also featured virtuoso percussionist Mattias Olsson and classically trained flautist Anna Holmgren.
Änglagård's sound is rich in mellotron, Hammond and piano, and a brooding wash of guitars and bass/bass pedal accented by Holmgren's moody and precise flute. The band's compositions are characterized by long, often instrumental tracks with significant tempo shifts and sometimes intense guitar flourishes. The Epilog album is instrumental in its entirety, and many of the tracks are distinguished by striking passages from Johnson's grand piano. Early Porcupine Tree also comes to mind, particularly when listening to Epilog. 
MUSICIANS

Mattias Olsson: drums, cymbals and percussion
Johan Högberg: bass
Thomas Johnson: Hammond organ, mellotrons and other keyboards
Jonas Engdegård: guitars
Tord Lindman: guitars
Anna Holmgren: flute

Åsa Eklund: voice
Martin Olofsson: violin
Karin Hansson: viola and double bass
Jan Christoff Norlander: cello

All music was written and arranged by Änglagård
Pictures by Rut Hillarp
The poems to Rösten (The Voice) and Sista Somrar (The Last Summer) were written and translated by Rut Hillarp. The other poems were snatched from the wind, those poems were translated by Christian Holmgren.

The music was recorded in Herman Palmsalen on Ekerö on 28th of July and in Studio Largen between 29th of July and 28th of August 1994. Mixed in Studio Largen between 3rd and 11th September 1994.
Sound engineer: Roger Skogh
Mixed and produced by Änglagård and Roger Skogh

No FreeForm 21 Dec 2010

FreeForm for 21 December has been bumped by a Solstice Special - the Pagans have prevailed over prog!

14 Dec 2010: Lunatic Soul & King Crimson On Broadway (selections)

Lunatic Soul biography
The LUNATIC SOUL is a solo studio project from RIVERSIDE's bass guitarist and vocalist Mariusz DUDA featuring RIVERSIDE's keyboard player Micha³ £APAJ on the Hammond organ with Maciej SZELENBAUM playing keyboards, piano, flutes, harmonica and qujang, Wawrzyniec DRAMOWICZ from INDUKTI on drums and QUIDAM's Maciej MELLER utilising the e-bow on an unspecified stringed instrument.

While far removed from RIVERSIDE's Progressive Metal it is not difficult to see comparisons and similarities to the parent band in the music contained on the eponymous debut album - not least of all because of DUDA's distinctive clean vocals, the occasional guttural growl and, despite the lack of electric guitars, the pounding acoustic guitar riffs that appear on some of the tracks. However, this is not the lighter, unplugged side of DUDA, it is a dark brooding mix of eclectic sounds with ethnic instruments and influences evoking eastern/oriental themes, psychedlic-era PINK FLOYD-like rhythms, swirling and ethereal keyboards reminiscent of early PORCUPINE TREE tied together by songs that are surprisingly accessible and melodic.

Singles/EPs/Fan Club/Promo, released in 1999:
This 2 CD set represents the 5th and 6th Collectors' Club releases (July, 1999). From the November 20, 21, 22, 24 & 25, 1995 performances at The Longacre Theater, New York City.

Songs / Tracks Listing
Disc 1
1. Conundrum
2. Thela Hun Ginjeet
3. Red
4. Dinosaur
5. VROOOM VROOOM
6. Frame By Frame
7. Walking On Air
8. B'BOOM
9. THRAK
10. Neurotica
11. Sex, Sleep, Eat, Drink, Dream
Disc 2
1. People
2. One Time
3. Indiscipline
4. Improv: Two Sticks
5. Elephant Talk
6. Prism
7. Talking Drum
8. Larks' Tongues in Aspic (Part II)
9. Three Of A Perfect Pair
10. VROOOM
11. Coda: Marine 475
12. Fearless And Highly THRaKked
Line-up / Musicians

Robert Fripp - Guitar, Soundscapes
Adrian Belew - Guitar, Voice
Trey Gunn - Touch Guitar
Tony Levin - Basses, Stick
Pat Mastelotto - Acoustic & Electronic Drums & Percussion
Bill Bruford - Acoustic & Electronic Drums & Percussion

08 Dec 2010 FreeForm Spotlight: Pendulum "Immersion"

Pendulum's latest release: Immersion.
Pendulum are an Australian electronic rock/drum & bass band founded in 2002 in Perth by Rob Swire aka "Anscenic", Gareth McGrillen aka "Speed", and Paul Harding aka "El Hornet".[1] Harding is a veteran DJ while Swire and McGrillen were part of an acclaimed rock band known as Xygen, but after hearing Konflict's "Messiah" at a rave they were inspired into the drum and bass genre. In 2003 they relocated to the United Kingdom. While Hold Your Colour held true to this intent, they have since experimented with mixing rock influences back in, with the rock-heavy second album In Silico, and the third album, Immersion, being a mixture of both, together with more electronic influences. Their newer efforts incorporate styles from genres such as dubstep, heavy metal and electro house. Pendulum are now better known for their energetic live shows, with live band setup and advanced visual displays and incorporating their rock background with drum and bass. (from Wikipedia)

07 Dec 2010: Pendulum & Pendragon

Pendulum's latest release: Immersion.
Pendulum are an Australian electronic rock/drum & bass band founded in 2002 in Perth by Rob Swire aka "Anscenic", Gareth McGrillen aka "Speed", and Paul Harding aka "El Hornet".[1] Harding is a veteran DJ while Swire and McGrillen were part of an acclaimed rock band known as Xygen, but after hearing Konflict's "Messiah" at a rave they were inspired into the drum and bass genre. In 2003 they relocated to the United Kingdom. While Hold Your Colour held true to this intent, they have since experimented with mixing rock influences back in, with the rock-heavy second album In Silico, and the third album, Immersion, being a mixture of both, together with more electronic influences. Their newer efforts incorporate styles from genres such as dubstep, heavy metal and electro house. Pendulum are now better known for their energetic live shows, with live band setup and advanced visual displays and incorporating their rock background with drum and bass. (from Wikipedia)
Pendragon's 1985 release: The Jewel
Pendragon biography
PENDRAGON were formed in Stroud, England in 1978. Originally known as ZEUS PENDRAGON it was decided fairly early on to drop the "ZEUS" as co-founder Julian Baker felt it was too wordy to fit on a t-shirt! There were several line up changes in the early days, members included Julian Baker (co-founder/guitar) Nigel Harris (drums) Stan Cox (bass) Robert Dalby (bass) John Barney Barnfield (keys) Rik Carter (keys). The one constant key element was Nick Barrett. The line up then remained the same for almost 20 years, featuring : Nick Barrett (guitar/lead vocal) Clive Nolan (keys) Peter Gee (bass) and Fudge Smith (drums), until 2006 when PENDRAGON and Fudge Smith parted ways.

Todate there have been 21 releases from PENDRAGON who set up their own label "TOFF RECORDS" in the late 1980's following the release of "The Jewel" and "KowTow" (as well as a couple of mini albums). "The Masquerade Overture" is probably their most acclaimed work todate. Although a recent change of direction with "Believe" has seen opinions somewhat split, it is definitely a remarkable album and maybe showing a move away from classic Neo-Prog.

I would highly recommend this band to anyone enjoying neo-prog.(from ProgArchives.com)

Studio Album, released in 1985

Songs / Tracks Listing
1. Higher Circles (3:29)
2. The Pleasure of Hope (3:43)
3. Leviathan (6:13)
4. Alaska (8:39)
a) At Home With the Earth
b) Snowfall
5. Circus (6:34)
6. Oh Divineo (6:51)
7. The Black Knight (9:57)
8. Fly High Fall Far (4:56)
9. Victims of Life (6:53)

Total Time: 57:15
Bonus tracks on remaster:
10. Armageddon (6:15)
11. Insomnia (4:19)Total Time: (67:49)

- Nick Barrett / vocals, guitars
- Rik Carter / keyboards
- Peter Gee / basses, guitars, bass pedals
- Nigel Harris / drums, percussion
Releases information CD Released in 1985 Toff Records PEND2CD

Remastered with bonus tracks and different sleeve 2005
CD Inside Out CD3705 (2005)
CD Toff Records PEND12CD (2005)

Spotlight 01 Dec 2010: Stacy & I Pick Five

Today from 12:30 - 1:30 AST, my wife Stacy and I play our top 5 songs.  Tune in to hear our criteria and a great eclectic mix of music, from Miriam Makeba to Jimi Hendrix to Porcupine Tree.
This program is part of the KMXT Fall Fund Raiser - call 907-486-498 and pledge your support for locally hosted public radio!

30 Nov 2010: Pink Floyd "The Wall - Live" Is There Anybody Out There?

A special Fall Fund Raiser edition of FreeForm Radio:
Pink Floyd's magnum opus, The Wall, recorded live in 1980-81. 
If you enjoy hearing progressive music on KMXT, please call and pledge your support (907-486-3181) or go online to www.kmxt.org.

Is There Anybody Out There? The Wall Live 1980–81 is an album released by Pink Floyd in 2000. It is a live rendition of The Wall, produced and engineered by James Guthrie, with tracks selected from the August 1980 and June 1981 performances at Earls Court in London. The album was first released in The Netherlands by EMI Records on 23 March 2000, who released a limited edition in the United Kingdom on 27 March. The general release followed on 18 April 2000, with US and Canadian distribution by Columbia Records.

23 Nov 2010: Rare Bird & Quidam

Rare Bird was a progressive rock band founded in 1969. They were formed in England, but had more success in other European countries than they did at home. They are mostly remembered for the haunting, organ based track "Sympathy". It sold one million copies globally.[1]
 From ProgArchives:

SNY ANIOłÓW

 (Angel's Dream) Studio Album, released in 1998
If you're a prog fan looking for the cream of the nineties progressive releases then add Poland's QUIDAM to your list. Influenced by MARILLION and CAMEL, this band elegantly blends harmonies, refined arrangements and diversity of orchestrations (keyboards, cello, flute, oboe, strings).

The neo prog style guitar playing is interlaced with haunting flute, cello that evokes depth, female vocals and keyboards that give an orchestral fullness to the music. Their style is a melodic, text-based (female vocals) symphonic rock. The rhythms intensify, the symphonic keyboard textures thicken and the electric guitar plays long melancholic notes. QUIDAM is certainly the main and most appreciated act to have emerged from this field, with ABRAXAS and COLLAGE.

Songs / Tracks Listing
1. Awakening / Prezebudzenie (1:48)
2. Angels Of Mine / Moje Anioly (4:21)
3. An Apple Dream / Morelowy Sen (5:17)
4. Cheerful / Wesoła (6:59)
5. Little Bird With No Legs / Beznogi Maly Ptak (4:06)
6. One Small Tear / Łza (4:56)
7. Behind My Eyes / Pod powieką (13:57)
8. Awakening (Dawn Of Hope) / Przebudzenie (świt nadziei) (4:07)
9. There is Such a Lonely House / Jest Taki Samotny Dom (5:31)
Total Time: 51:02
Line-up / Musicians
- Emila Derkowska / vocals, cello, backing vocals
- Zbyszek Florek / piano, keyboards
- Rafal Jermakow / drums, percussion
- Maciek Meller / guitars
- Radek Sholl / bass
- Jacek Zasada / flute

GUESTS:
- Michal Wojciechowski / basson (5)
- Witold Ekielski / oboe (5-7)
- Malgorzata Lachowics / violin (9)
- Karolina Chwistek / violin (9)
- Magdalena Wróbel / viola (9)
- Dominika Miecznikowska / cello (9)

17 Nov 2010 Spotlight: Neil Young "Trans"

 Trans is the 14th studio album by Neil Young, released in 1982. Recorded partially and released during his notorious Geffen era in the 1980s, Trans baffled many Neil Young fans. Some suggested that the album could be a satirical message that Young was trying to send about the direction music was headed in the future. A vocoder features prominently in five of the nine tracks. While the album was poorly received, some critics point out that the melodies are strong and that the album involves Young addressing new musical movements, as he did previously on Rust Never Sleeps and later with the grunge movement. (from Wikipedia.org)

16 Nov 2010: Neil Young & Todd Rundgren

Todd Rundgren's Utopia  features lengthy, complex and highly arranged progressive rock pieces, performed by a six-piece multi-instrumentalist ensemble. The album contains only four tracks and runs for almost sixty minutes in total, opening with "Utopia Theme" — recorded live in concert — and closing with the extended concept piece "The Ikon", which runs more than thirty minutes and takes up all of Side 2 of the album.
It features a six-piece ensemble featuring Todd Rundgren (guitar & vocals), Kevin Ellman (drums and percussion), Mark "Moogy" Klingman (keyboards), Jean Yves "M. Frog" Labat (synthesizers), Ralph Schukett (keyboards), and John Siegler (bass and cello). (from Wikipedia.org)
 Trans is the 14th studio album by Neil Young, released in 1982. Recorded partially and released during his notorious Geffen era in the 1980s, Trans baffled many Neil Young fans. Some suggested that the album could be a satirical message that Young was trying to send about the direction music was headed in the future. A vocoder features prominently in five of the nine tracks. While the album was poorly received, some critics point out that the melodies are strong and that the album involves Young addressing new musical movements, as he did previously on Rust Never Sleeps and later with the grunge movement. (from Wikipedia.org)

FreeForm Spotlight 10 Nov 2010: NeoProg from Poland: Collage

With the  Collage album "Safe", you know what you are going to get. Nothing too adventurous or different, but good, solid, highly melodic prog, with no obvious weaknesses.  This prematurely extinct Neo Prog band from Poland was not only the most important band from this country in the 90's; it figured among the best Neo Prog bands in the world. Blending heavy keyboard background with extremelly melodical guitar and vocals, they were able to deliver an original and very interseting music. Intricate tempo changes differentiate this band from the competition amongst their style, with vocals in Polish and English depending on the album. (from ProgArchives)

9 Nov 2010: Spleen Arcana & Collage

The latest release from Spleen Arcana: The Field Where She Died
Studio Album, released in 2009
Songs / Tracks Listing
1. Trample On Me (9:07)
2. The Missing Piece (3:42)
3. A Picture Of Two Lovers In The Mist (10:12)
4. Tears Are Made To Flow (9:49)
5. A Kind Of Heaven (10:04)
Total Time: 42:54
Line-up / Musicians
- Julien Gaullier / vocals, electric & acoustic guitars, bass guitar, keyboards, bodhran, mandolin
Special guests:
- David Perron / drums
- Marie Guillaumet / vocals
 
With the  Collage album "Safe", you know what you are going to get. Nothing too adventurous or different, but good, solid, highly melodic prog, with no obvious weaknesses.  This prematurely extinct Neo Prog band from Poland was not only the most important band from this country in the 90's; it figured among the best Neo Prog bands in the world. Blending heavy keyboard background with extremelly melodical guitar and vocals, they were able to deliver an original and very interseting music. Intricate tempo changes differentiate this band from the competition amongst their style, with vocals in Polish and English depending on the album. (from ProgArchives)

Spotlight 3 Nov 2010: Spleen Arcana

On today's FreeForm Spotlight, we'll be featuring the latest release from Spleen Arcana: The Field Where She Died
Studio Album, released in 2009

Songs / Tracks Listing
1. Trample On Me (9:07)
2. The Missing Piece (3:42)
3. A Picture Of Two Lovers In The Mist (10:12)
4. Tears Are Made To Flow (9:49)
5. A Kind Of Heaven (10:04)

Total Time: 42:54
Line-up / Musicians
- Julien Gaullier / vocals, electric & acoustic guitars, bass guitar, keyboards, bodhran, mandolin

Special guests:
- David Perron / drums
- Marie Guillaumet / vocals

No FreeForm 2 Nov 2010: Election Coverage

FreeForm is pre-empted by local, state, and national elections coverage this week.

Rock Radio Digital :: Porcupine Tree take over Rock Radio

Rock Radio Digital :: Porcupine Tree take over Rock Radio
Saturday series continues with Steven Wilson playing the tracks of his
choice - with more big names still to come.
<http://www.rockradio.co.uk/digital/rock-news/porcupine-tree-take-over-rock-radio/qp9z4tpc/>

FreeForm SpotLight 27 Oct 2010: Dr. Horrible's Sing-along Blog Soundtrack

To celebrate the Halloween holiday, FreeForm Spotlight brings you a special treat: excerpts from the soundtrack to Joss Wheedon's "Dr. Horrible's Sing-along Blog"!!

26 October 2010: Halloween & Dr. Horrible's Sing-along Blog

From ProgArchives: In 1989, the French symphonic-weird, highly creative HALLOWEEN released inventive and creative musical ideas and vocals with "Laz". Maybe for PULSAR, VDGG, or KC fans and for prog heads that do not believe "it was impossible to release outstanding prog in the eighties".

To celebrate the Halloween holiday, FreeForm brings you a special treat: the soundtrack to Joss Wheedon's "Dr. Horrible's Sing-along Blog"!!

19 October 2010: Hecenia & Collegium Musicum

Founded by former Elohim members, brothers Jean-Paul Trutet and Daniel Trutet, along with Delphine Douillard, and keyboard maestro Thierry Brandet. This would prove to be mainly a Brandet venture, as the Trutets did not stay for the second album. Brandet is also the primary composer.

The name is taken from a mysterious community of ancient Jews, called the esséniens, who lived in the desert of Judea. Almost nothing was known about them until the discovery of the Dead Sea Scrolls. They were dislodged by the Romans, at the time of the Jewish revolution.

As you may have guessed, Keyboards reign supreme with this group. There are the usual comparisons to Genesis, Yes, and even Marillion. The most obvious influence is Rick Wakeman, but there is more. Douillard's Harp is quite unique in the realm of rock music. Classical composers, and France itself, are in the mix, thus giving a unique flavor to Hecenia.   (from ProgArchives.com)




Collegium Musicum is an art-rock band from Czechoslovakia and was established by stable member Marián Varga 1969. Prevalent in the band´s repertory are instrumental compositions, comprising re-interpretations of classical music themes (Haydn, Bartók, Stravinskij …), and original compositions bearing the first signs of artistic post-modernism (Euphony from the album Convergencie). The story of this band was published in book by musician and music reviewer Marián Jaslovský. Star formation of Collegium Musicum were Marián Varga (hammond organ, keyboards, piano), bassguitarist Fedor Frešo and drummer Dušan Hájek. Collegium Musicum played in various formations, also with guitarists Rasťo Vacho (from Blues Five), Pavel Vaňě (from Synkopy 61 and Progress Organization), František Griglák (later Fermáta) and others. In early days Collegium Musicum played with guitarist Fedor Letňan. Latňan was fired and replaced by Rasťo Wacho from Blues Five. Rasto Vacho left the band first time when he gone studied. Collegium Musicum requested Pavel Vaňě and they record first debut EP. After return of Rasťo Vacho they record debut LP “Collegium Musicum”. (from Last.FM)

No Progressive FreeForm on Oct 12 or Progressive Spotlight Oct 13

I'll be off-island during the week of Oct 11-15, elk hunting on Afognak Island; the FreeForm host that week may or may not be playing progressive music.

FreeForm Spotlight 06 Oct 2010: Jean-Pierre Alarcen

Jean-Pierre Alarcen's classic Tableaux Number 1 from 1979 will be featured on today's spotlight.In 1979, he released his second album, "Tableau No. 1". This work in three movements has more ambient (somewhat The ENIDish) and symphy qualities, but also has jazz and Zeuhlish elements. It's more in the romantic "classical" (to mix my eras in a poor turn of phrase) with melodic rock styled camp than before, but with dramatic contrast. Soft ambient music turns into jazzy guitar driven rock. Allan Holdsworth springs to mind as a possible influence on his guitar work here, as well as McLaughlin. The third movement in particular has exciting funky bass guitar-driven work. It ends with music that rather reminds me of Toto's "Dune" soundtrack.  (from ProgArchives)Alarcen, Jean-Pierre [France]
Jean Pierre Alarcen (78), Tableau (80)
Alarcen was the guitarist in the one-shot french group Sandrose. After Sandrose he had two albums: JPA and Tableau. Tableau which is very symphonic, is basically one long piece spanning both sides of the album, vaguely comparable to stuff like The Enid, but a little more low key for the most part. Jean Pierre Alarcen is a more guitar oriented album with some fusion leanings, but not overtly so, which features excellent guitarwork and some brilliant writing. Both are available together on one CD.

5 October 2010: Unwritten Pages - Noah & Jean-Pierre Alarcen

Unwritten Pages - Noah
Rancho Santa Margarita, CA – 13 July 2010 – Unwritten Pages' Noah is an album born out of a passion for progressive, driving music, concept albums and 80's science-fiction films. It combines the broad musical taste of its creator Frederic Epe and the stylistic and unique musical backgrounds of each project member, reaching from rock and metal to Latin influences and more classical/score-oriented arrangements. The album features soaring guitars, fat organs and bone-breaking drums, as well as a healthy dose of retro. But most of all, it never loses its focus on unique and melody-driven song-writing. And it comes in the form of an ambitious story, told through the eyes of the vocalists and musicians. This double album features the talents of Damian Wilson (Threshold, Ayreon, Les Misérables), Karl Groom (Threshold, Shadowland), Davy Mickers (Stream of Passion, Ayreon), Alejandro Millán (Hello Madness, Stream of Passion) and many others.
Jean-Pierre Alarcen's classic Tableaux Number 1 from 1979 will be featured in the second half of tonight's show.  In 1979, he released his next album, "Tableau No. 1". This work in three movements has more ambient (somewhat The ENIDish) and symphy qualities, but also has jazz and Zeuhlish elements. It's more in the romantic "classical" (to mix my eras in a poor turn of phrase) with melodic rock styled camp than before, but with dramatic contrast. Soft ambient music turns into jazzy guitar driven rock. Allan Holdsworth springs to mind as a possible influence on his guitar work here, as well as McLaughlin. The third movement in particular has exciting funky bass guitar-driven work. It ends with music that rather reminds me of Toto's "Dune" soundtrack.  (from ProgArchives)

Review of Porcupine Tree Concert at Radio City Music Hall NYC 24 Sept

From my friend back East, jaman57:

(I've just got back in from the weekend in NY.

As for the concert - WOW!!! For fans of the older material who never got the chance to see the band in those days (like me) it was a dream come true - one can always quibble a bit when picking personal favorites, but this was as good a selection as I could have wished for - unless of course they had played an hour or two longer ;). My friend is much more of a recent material fan, so he was somewhat disappointed that there were no "In Absentia" songs, but as for me, I did see the pre-FOABP tour, when they played several of the best songs from IA, and I would not have dropped a single one of the older songs for any of the newer ones they didn't play.

They came out, as your setlist (which is correct) shows, with an acoustic setup. Not entirely acoustic - Wes did play electric guitar for the lead lines, and Richard used one of his synthesizers so he did fill in more than just piano-type sounds. But Steve just played the acoustic and Colin played the upright double-bass, which was really cool. SW started by saying, "A couple of us were sitting in the bar last night trying to figure out what we were going to play, and had no idea. But we're going to play a lot of old shit." Starting with SBTM was a surprise of course (and by the way it wasn't the live debut - they played it a handful of times back on the "Stupid Dream" tours, but only a few times), but when they followed it with "Small Fish" I knew it was going to be a really special night. I love that song, and always wondered why they never played it live, but now they did, and it sounded great (SW had played it in solo acoustic shows a couple of times, but never PT). PN sounded great also (actually I may as well stop saying that - everything sounded great), and Wes singing the upper harmonies that Chris Maitland used to sing live sounded at least as good as when it was Steve and Chris - really excellent. Then BD - I may be the only person who thinks that it is the best song from the second disk of "The Incident", but that's my opinion and I'm sticking to it :). Then Steve said, "When we were putting this set together we were wondering what would be the absolutely least appropriate song to play in this format [lots of laughs from the audience], and chose this one," and they started "Futile". I'm amazed Steve didn't break every string on his acoustic the way he pounded out the chord riffs. Then he said, "Ok, I hope you enjoy the headlining act. They'll be out in a few minutes with some more electricity."

About 10 minutes later (there was no countdown clock this intermission, though there was for the next one) they came out with "Even Less". I had seen they had been playing it on a few of the recent shows, so it wasn't unexpected, but it was certainly great that they did play it, especially for me as it was the song that sold me on the band! The first time I heard PT was a boot of the "Lightbulb Sun" tour. "Russia on Ice" caught my attention, but it was EL that sealed the deal. While OC and "Lazurus" were also not surprising (and Steve had the audience sing the next-to-last chorus of "Lazarus"), of course, but TB certainly was. And then "Sky" - incidentally, you may have heard how on the "Nil Recurring" tour they played it a few times, but they started it with the vocals. This had the full opening instrumental, like back in the day. After that they could have played anything and I would have considered myself completely satisfied. But of course it kept going. Incidentally, for most of the old material (like TB and Sky and others) Wes left the stage so it was just the 4 of them. At one point Steve said, "You may have noticed Wes leaving the stage for the old stuff. We did this because we wanted to play it like we did in the old days, as a 4-piece, not because he's incontinent." That of course got a round of laughs and applause. After "Bonnie" they took a break with the 10-minute countdown clock, and of course we all did as we were supposed to and counted down the last ten seconds. :)

So then it was "Occam's Razor" to start the opening medley of "Incident" songs. The visuals for this entire section were great, but I really loved the film accompanying "Blind House" - perfect for the lyrics and subject. Hopefully they will post it at some time on their set so you can see it. Then they once again surprised and greatly pleased me with DD - I thought they were through with the old material, but obviously they weren't. TF of course is obviously a musical homage to Floyd, essentially a variation on Dogs (with the descending chord riff of Sheep). Well, I saw Floyd several times back in the day, and it sounded like the best Floyd ever sounded live! The middle section was mind-blowing. Incidentally, it seemed that they just kept increasing the raw power of the sound as the set went along. Anesthetize pt 2 shook my insides wonderfully, and probably got the loudest single applause of any song. One last total shock with UTD, which also had some great psychedelic light effects (though the visuals were excellent for the entire show), and then ST - for this they pushed the power to max - my hair actually stood up from the back of my head! A standing ovation and a minute later they came back on. Steve said, "We only have time for one more song [obviously their time slot ended at 11:00], but it's a fucking long one." So then "Arriving", which is my favorite from "Deadwing", so it was a perfect ending.

The house was full, the audience was great - and I was a bit surprised that obviously most of them knew the old material. Even the best bands sometimes have performances that are professional, but not really inspired (and PT is no different, listening to the various boots), but this show they really sounded inspired and into it. All in all, it ranks in the top echelon of the uncounted shows I've seen - definitely in the top ten, possibly in the top five. I was completely and thoroughly satisfied. Sorry you couldn't get here to see it. I'm just immensely happy they put on this show and I was able to get good tickets (1'st mezzanine, 4'th row, dead center) and the timing and everything worked out.

So that's my review. As another song says,

"Having been some days in preparation
A splendid time is guaranteed for all."

And this night it was PT that was topping the bill (actually the only show on the bill, but you get the point).


PT Radio City Music Hall setlist
Porcupine Tree RCMH special setlist tonight:

(acoustic set)
-------
Stranger by the Minute (live debut)
Small Fish (live debut)
Pure Narcotic
Black Dahlia (live debut)
Futile
------
(normal set)

Even Less (full version)
Open Car
Lazarus
Tinto Brass
The Sky Moves Sideways (Phase I)
I Drive the Hearse
Bonnie the Cat
Occam's Razor
The Blind House
Great Expectations
Kneel And Disconnect
Drawing the line
Dislocated Day
Time Flies
Anesthetize (Pt 2)
Up the Downstair
Sleep Together
 --------
(encore)

Arriving Somewhere...but Not Here

FreeForm Spotlight: 29 Sept 2010 Rasputina

Due to the positive feedback from last week's show featuring the solo work of Zoe Keating, we bring you a sampling from her time in the band, Rasputina. The album is Frustration Plantation.

Freeform Spotlight is Wednesdays 12:30 pm to 1:00 PM Alaska Daylight Time.

28 September 2010: Persephone's Dream

NOTE:  Due to KMXT's Local Candidate Forum running late, a portion of FreeForm Radio was preempted.
With our thanks to Shawn Gordon at Progrock Records, we bring you a recent release from their label.
 Persephone's Dream: Pan: an Urban Pastoral
In the Autumn of 2010, PD will deliver its fifth full-length CD: Pan: An Urban Pastoral. The new CD is a full-fledged concept album, not far removed from the "rock opera" genre­an extension of PD's earlier foray into concept-composition, Pyre of Dreams' Arthurian "Temple in Time" quintology.

FreeForm Spotlight 22 Sept Zoe Keating



Spotlight features the music of Zoe Keating  1230-1300 Alaska Daylight Time

21 September 2010: Gryphon & Flamen Dialis

Red Queen to Gryphon Three is the third studio album made by the band Gryphon
Red Queen to Gryphon Three is a concept album around the game of chess. The music, which frequently evokes a medieval mood, blends and alternates among baroque, renaissance, English folk and progressive rock music styles. Themes are presented, developed and recapitulated in the style of Classical music.

 

Track listing

  1. "Opening Move" (Gulland, Harvey, Oberlé, Taylor) – 9:42
  2. "Second Spasm" (Gulland, Taylor) – 8:15
  3. "Lament" (Gulland, Nestor, Taylor) – 10:45
  4. "Checkmate" (Gulland, Harvey, Oberlé, Taylor) – 9:50

Line up

Fla


 Formed by keyboardist/drummer Didier Le Gallic, Flamen Dialis explores structured, abstract electronic patterns combined with "collage" sounds, acoustic elements (cello, flute.) and a theatrical sense of composition. There's a constant use of diverse vintage synth equipments. Published in 1978, Symptone-Dei is a reference in avant rock improvisations with electronic sounds. This band is sometimes compared to a "cosmic" version of Magma with lot of Mellotrons.

SPOTLIGHT: 15 Sept 2010: Porcupine Tree Live in Atlanta

From 12:30 to 1:00 pm Alaska Daylight Time, I'll be featuring three selections from Atlanta: "Sentimental", "Drown With Me", and "Anesthetize".
This download only release is being sold as a benefit for Mick Karn and his family; Mick is currently battling cancer.
KMXT streams live at kmxt.org

14 September 2010: Tales from Topographic Oceans

Tales from Topographic Oceans is the sixth studio album by British progressive rock band Yes. It is a double album, released on Atlantic Records in December 1973 in most of the world and in January 1974 in North America.  It is both the most ambitious Yes album and the most critically debated: masterpiece, magnum opus or disastrous overreaching?  You be the judge.

Progressive FreeForm on Hiatus Until September

I'm taking a break and traveling until September.  The replacement hosts for FreeForm may or may not be playing progressive music.

29 June 2010: Il Trono Dei Ricord)i (s/t); Camel - Harbour of Tears

 Il Trono Dei Ricordi (the Throne of Memories) are an Italian progressive rock band of the 1990s, who released an album of songs setting the words of William Blake. They were influenced by Genesis, Marillion and ELP.[1] The album sets extensive passages from Blake's prophetic books, including Visions of the Daughters of Albion and the Book of Urizen. It also sets The Little Black Boy from Songs of Innocence and Experience.
Our classic progressive album this week is Camel's brilliant Harbour of Tears.   Harbour of Tears is a Studio Concept Album by English progressive rock band Camel. It tells the story of an Irish family who is painfully separated as their young ones depart to the United States to seek a better future.  and vocalist and guitarist Andrew Latimer learned that the last sight of Ireland his grandmother's family would have seen was Cóbh Harbour, a deep water port that witnessed the fracturing of hundreds upon thousands of families as their sons and daughters departed towards America. Thus the album was titled as the common alias of the port, 'Harbour of Tears'.

Next Progressive FreeForm is June 29

My next "proggy" FreeForm will Tuesday June 29 9-11 Alaska Daylight Time.  I haven't decided on a playlist at this time.  Please feel free to submit suggestions via comments.

15 June 2010: Anesthetize: Porcupine Tree Live in Tilburg

Tonight's FreeForm Radio will be devoted entirely to the recent DVD/CD release of Porcupine Tree Live in Tilburg: Anesthetize.
The DVD is available in standard and Blu-Ray formats.
(if you can find it for pre-order)

Porcupine Tree - Trailer for Anesthetize DVD from Kscope on Vimeo.

15 June 2010: tba

I'm taking a break to go rainbow fishing in Katmai, but will do the show on June 15 (weather permitting).
I'm open to requests - leave a comment with your suggestions for the show.
The June 8 FreeForm may not be proggy....I don't know who's taking the shift.

1 June 2010: Declan Burke, t, Inquisitor Betrayer, Yes


This week we'll begin with selections from Inquisitor Betrayer's upcoming releases: Beowulf & Gilgamesh








  We'll also feature cuts from Progrockrecords artists Declan Burke and "t"

Dec Burke is a UK based vocalist/guitarist who has performed recorded, written with Darwin’s Radio, and Frost*, toured and supported Spock’s Beard and Dream Theater.
Destroy All Monsters is his first solo effort following his departure from Darwin’s Radio.
Written recorded and produced by Dec at his own studio, the album is high energy, but, has some very melodic softer tones. The album contains performances by Nathan King (Frost* / Level 42) and Carl Westholm (Carptree / Jupiter Society).


German multi-instrumentalist, singer, producer and control freak “t” is back with his 3rd album. After fronting german progrock masterminds “scythe” and 2 highly acclaimed solo albums, he took four years to write, perform, mix, produce and co-master “anti-matter poetry”, a 68 minute concept album. t, again, played all the instruments and sang all parts here.
t has always been a musician. his parents had him classically educated as a piano player as well as a singer from early childhood on, but as the girls seemed to fancy guitar players more, his main interest shifted there at a stage in his not-quite-so-early-childhood. Today he admits to the fact of being a strictly average musician with many instruments. From early band efforts on, t has also always been interested in sound issues and thus kept on learning how to arrange, record, mix, and produce. Although all of his solo albums feature him as the sole instrumentalist and singer, “Anti-Matter Poetry” is his first effort to also do all the sound work by himself. Only the final mastering was transferred to frequency wizard Jürgen Lusky - with t assisting, of course.
In his daytime job, t teaches teaching to teachers and teaches himself. However, he still does not suffer from any mental disfunction grave enough to be diagnosed, apart from having a phd in classics. He is married to the renowned artist and writer Katia Tangian and father of a daughter.

 This week's classic album is Yes Close to the Edge. The band's fifth album it was released in September, 1972.