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The Survival of St. Joan is a rock opera by Smoke Rise (Gary Ruffin, Hank Ruffin, Stan Ruffin, and Randy Bugg — music composed by Hank and Gary) from an original concept and libretto by Off-Broadway playwright and screenwriter James Lineberger.
The plot of The Survival of St. Joan was possibly inspired by Operation Shepherdess: The Mystery of Joan of Arc by André Guérin and Jack Palmer White, a revisionist history alleging that Joan of Arc escaped execution and later married a nobleman named Robert des Armoises. An idea rejected by historians, the notion of a legendary Joan who lived on in secret has persisted.[4] Certainly inspired by the Vietnam War,[citation needed] the opera tells of the government of France and Pierre Cauchon, Archbishop of Beauvais, releasing Joan of Arc and allowing a double, also believed to be a witch, to burn in her place. She is sent to live with a mute farmer, who falls in love with her,[1] as he elucidates in songs performed in soliloquy toward the audience. Realizing that there is no end in sight to the Hundred Years' War, the first act ends with Joan seeking to rejoin the army,[1] despite the fact that she is no longer hearing her voices.
In Act II, Joan learns that she has lost the respect of the army, who attempt to rape her. (The libretto in the concept album has Joan raped about halfway through the act; this was changed when stagings went beyond a band performance to a full-fledged play.) She meets with some deserters who no longer understand the meaning of the war, and reject its former religious purposes, complaining that only their generals and the nobility can live above suffering. Alone and anonymous, Joan is eventually found by villagers who mistakenly decide she has put a hex on their cow, tie her to a tree and immolate her, thus ending her life almost as history would have it.[1] Upon her death, Joan re-establishes contact with her three voices, St. Michael, St. Catherine, and St. Margaret.
And Their Refinement of the Decline is the seventh and most recent studio album by Stars of the Lid, which was released by Kranky in April 2007. The album was Kranky's 100th release, and was issued as a double CD and as a triple vinyl LP set (featuring alternate artwork). And Their Refinement of the Decline features minimal, droning compositions of varied length created from treated guitar, horn, piano, and other classical instruments.
The track "Dopamine Clouds Over Craven Cottage" refers to Craven Cottage in London, the home stadium of English football club, Fulham F.C.. At the time of the album's release, their captain was ex-United States soccer international Brian McBride, who shares the same name as Brian McBride from Stars of the Lid. The track "Don't Bother They're Here" uses the melody of Stephen Sondheim's 1973 song "Send in the Clowns".
In December 2007, American webzine Somewhere Cold ranked And Their Refinement of the Decline No. 5 on their 2007 Somewhere Cold Awards Hall of Fame.[9]
Stars of the Lid is an American ambient music duo consisting of Brian McBride and Adam Wiltzie. The duo formed in Austin, Texas in 1993, and they list among their influences minimalist and electronic composers such as Arvo Pärt, Zbigniew Preisner, Gavin Bryars, and Henryk Górecki, as well as Talk Talk, post-rock artists Labradford, and ambient innovator Brian Eno. Their compositions are largely beatless soundscapes, composed of droning, effects-treated guitars along with piano, strings, and horns; volume swells and feedback fill the gap of rhythmic instruments, providing dynamic movement. Their sound has been described as "divine, classical drone without the tedious intrusion of drums or vocals."[1]
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