Review of Porcupine Tree Concert at Radio City Music Hall NYC 24 Sept

From my friend back East, jaman57:

(I've just got back in from the weekend in NY.

As for the concert - WOW!!! For fans of the older material who never got the chance to see the band in those days (like me) it was a dream come true - one can always quibble a bit when picking personal favorites, but this was as good a selection as I could have wished for - unless of course they had played an hour or two longer ;). My friend is much more of a recent material fan, so he was somewhat disappointed that there were no "In Absentia" songs, but as for me, I did see the pre-FOABP tour, when they played several of the best songs from IA, and I would not have dropped a single one of the older songs for any of the newer ones they didn't play.

They came out, as your setlist (which is correct) shows, with an acoustic setup. Not entirely acoustic - Wes did play electric guitar for the lead lines, and Richard used one of his synthesizers so he did fill in more than just piano-type sounds. But Steve just played the acoustic and Colin played the upright double-bass, which was really cool. SW started by saying, "A couple of us were sitting in the bar last night trying to figure out what we were going to play, and had no idea. But we're going to play a lot of old shit." Starting with SBTM was a surprise of course (and by the way it wasn't the live debut - they played it a handful of times back on the "Stupid Dream" tours, but only a few times), but when they followed it with "Small Fish" I knew it was going to be a really special night. I love that song, and always wondered why they never played it live, but now they did, and it sounded great (SW had played it in solo acoustic shows a couple of times, but never PT). PN sounded great also (actually I may as well stop saying that - everything sounded great), and Wes singing the upper harmonies that Chris Maitland used to sing live sounded at least as good as when it was Steve and Chris - really excellent. Then BD - I may be the only person who thinks that it is the best song from the second disk of "The Incident", but that's my opinion and I'm sticking to it :). Then Steve said, "When we were putting this set together we were wondering what would be the absolutely least appropriate song to play in this format [lots of laughs from the audience], and chose this one," and they started "Futile". I'm amazed Steve didn't break every string on his acoustic the way he pounded out the chord riffs. Then he said, "Ok, I hope you enjoy the headlining act. They'll be out in a few minutes with some more electricity."

About 10 minutes later (there was no countdown clock this intermission, though there was for the next one) they came out with "Even Less". I had seen they had been playing it on a few of the recent shows, so it wasn't unexpected, but it was certainly great that they did play it, especially for me as it was the song that sold me on the band! The first time I heard PT was a boot of the "Lightbulb Sun" tour. "Russia on Ice" caught my attention, but it was EL that sealed the deal. While OC and "Lazurus" were also not surprising (and Steve had the audience sing the next-to-last chorus of "Lazarus"), of course, but TB certainly was. And then "Sky" - incidentally, you may have heard how on the "Nil Recurring" tour they played it a few times, but they started it with the vocals. This had the full opening instrumental, like back in the day. After that they could have played anything and I would have considered myself completely satisfied. But of course it kept going. Incidentally, for most of the old material (like TB and Sky and others) Wes left the stage so it was just the 4 of them. At one point Steve said, "You may have noticed Wes leaving the stage for the old stuff. We did this because we wanted to play it like we did in the old days, as a 4-piece, not because he's incontinent." That of course got a round of laughs and applause. After "Bonnie" they took a break with the 10-minute countdown clock, and of course we all did as we were supposed to and counted down the last ten seconds. :)

So then it was "Occam's Razor" to start the opening medley of "Incident" songs. The visuals for this entire section were great, but I really loved the film accompanying "Blind House" - perfect for the lyrics and subject. Hopefully they will post it at some time on their set so you can see it. Then they once again surprised and greatly pleased me with DD - I thought they were through with the old material, but obviously they weren't. TF of course is obviously a musical homage to Floyd, essentially a variation on Dogs (with the descending chord riff of Sheep). Well, I saw Floyd several times back in the day, and it sounded like the best Floyd ever sounded live! The middle section was mind-blowing. Incidentally, it seemed that they just kept increasing the raw power of the sound as the set went along. Anesthetize pt 2 shook my insides wonderfully, and probably got the loudest single applause of any song. One last total shock with UTD, which also had some great psychedelic light effects (though the visuals were excellent for the entire show), and then ST - for this they pushed the power to max - my hair actually stood up from the back of my head! A standing ovation and a minute later they came back on. Steve said, "We only have time for one more song [obviously their time slot ended at 11:00], but it's a fucking long one." So then "Arriving", which is my favorite from "Deadwing", so it was a perfect ending.

The house was full, the audience was great - and I was a bit surprised that obviously most of them knew the old material. Even the best bands sometimes have performances that are professional, but not really inspired (and PT is no different, listening to the various boots), but this show they really sounded inspired and into it. All in all, it ranks in the top echelon of the uncounted shows I've seen - definitely in the top ten, possibly in the top five. I was completely and thoroughly satisfied. Sorry you couldn't get here to see it. I'm just immensely happy they put on this show and I was able to get good tickets (1'st mezzanine, 4'th row, dead center) and the timing and everything worked out.

So that's my review. As another song says,

"Having been some days in preparation
A splendid time is guaranteed for all."

And this night it was PT that was topping the bill (actually the only show on the bill, but you get the point).


PT Radio City Music Hall setlist
Porcupine Tree RCMH special setlist tonight:

(acoustic set)
-------
Stranger by the Minute (live debut)
Small Fish (live debut)
Pure Narcotic
Black Dahlia (live debut)
Futile
------
(normal set)

Even Less (full version)
Open Car
Lazarus
Tinto Brass
The Sky Moves Sideways (Phase I)
I Drive the Hearse
Bonnie the Cat
Occam's Razor
The Blind House
Great Expectations
Kneel And Disconnect
Drawing the line
Dislocated Day
Time Flies
Anesthetize (Pt 2)
Up the Downstair
Sleep Together
 --------
(encore)

Arriving Somewhere...but Not Here

FreeForm Spotlight: 29 Sept 2010 Rasputina

Due to the positive feedback from last week's show featuring the solo work of Zoe Keating, we bring you a sampling from her time in the band, Rasputina. The album is Frustration Plantation.

Freeform Spotlight is Wednesdays 12:30 pm to 1:00 PM Alaska Daylight Time.

28 September 2010: Persephone's Dream

NOTE:  Due to KMXT's Local Candidate Forum running late, a portion of FreeForm Radio was preempted.
With our thanks to Shawn Gordon at Progrock Records, we bring you a recent release from their label.
 Persephone's Dream: Pan: an Urban Pastoral
In the Autumn of 2010, PD will deliver its fifth full-length CD: Pan: An Urban Pastoral. The new CD is a full-fledged concept album, not far removed from the "rock opera" genre­an extension of PD's earlier foray into concept-composition, Pyre of Dreams' Arthurian "Temple in Time" quintology.

FreeForm Spotlight 22 Sept Zoe Keating



Spotlight features the music of Zoe Keating  1230-1300 Alaska Daylight Time

21 September 2010: Gryphon & Flamen Dialis

Red Queen to Gryphon Three is the third studio album made by the band Gryphon
Red Queen to Gryphon Three is a concept album around the game of chess. The music, which frequently evokes a medieval mood, blends and alternates among baroque, renaissance, English folk and progressive rock music styles. Themes are presented, developed and recapitulated in the style of Classical music.

 

Track listing

  1. "Opening Move" (Gulland, Harvey, Oberlé, Taylor) – 9:42
  2. "Second Spasm" (Gulland, Taylor) – 8:15
  3. "Lament" (Gulland, Nestor, Taylor) – 10:45
  4. "Checkmate" (Gulland, Harvey, Oberlé, Taylor) – 9:50

Line up

Fla


 Formed by keyboardist/drummer Didier Le Gallic, Flamen Dialis explores structured, abstract electronic patterns combined with "collage" sounds, acoustic elements (cello, flute.) and a theatrical sense of composition. There's a constant use of diverse vintage synth equipments. Published in 1978, Symptone-Dei is a reference in avant rock improvisations with electronic sounds. This band is sometimes compared to a "cosmic" version of Magma with lot of Mellotrons.

SPOTLIGHT: 15 Sept 2010: Porcupine Tree Live in Atlanta

From 12:30 to 1:00 pm Alaska Daylight Time, I'll be featuring three selections from Atlanta: "Sentimental", "Drown With Me", and "Anesthetize".
This download only release is being sold as a benefit for Mick Karn and his family; Mick is currently battling cancer.
KMXT streams live at kmxt.org

14 September 2010: Tales from Topographic Oceans

Tales from Topographic Oceans is the sixth studio album by British progressive rock band Yes. It is a double album, released on Atlantic Records in December 1973 in most of the world and in January 1974 in North America.  It is both the most ambitious Yes album and the most critically debated: masterpiece, magnum opus or disastrous overreaching?  You be the judge.

Progressive FreeForm on Hiatus Until September

I'm taking a break and traveling until September.  The replacement hosts for FreeForm may or may not be playing progressive music.

29 June 2010: Il Trono Dei Ricord)i (s/t); Camel - Harbour of Tears

 Il Trono Dei Ricordi (the Throne of Memories) are an Italian progressive rock band of the 1990s, who released an album of songs setting the words of William Blake. They were influenced by Genesis, Marillion and ELP.[1] The album sets extensive passages from Blake's prophetic books, including Visions of the Daughters of Albion and the Book of Urizen. It also sets The Little Black Boy from Songs of Innocence and Experience.
Our classic progressive album this week is Camel's brilliant Harbour of Tears.   Harbour of Tears is a Studio Concept Album by English progressive rock band Camel. It tells the story of an Irish family who is painfully separated as their young ones depart to the United States to seek a better future.  and vocalist and guitarist Andrew Latimer learned that the last sight of Ireland his grandmother's family would have seen was Cóbh Harbour, a deep water port that witnessed the fracturing of hundreds upon thousands of families as their sons and daughters departed towards America. Thus the album was titled as the common alias of the port, 'Harbour of Tears'.

Next Progressive FreeForm is June 29

My next "proggy" FreeForm will Tuesday June 29 9-11 Alaska Daylight Time.  I haven't decided on a playlist at this time.  Please feel free to submit suggestions via comments.

15 June 2010: Anesthetize: Porcupine Tree Live in Tilburg

Tonight's FreeForm Radio will be devoted entirely to the recent DVD/CD release of Porcupine Tree Live in Tilburg: Anesthetize.
The DVD is available in standard and Blu-Ray formats.
(if you can find it for pre-order)

Porcupine Tree - Trailer for Anesthetize DVD from Kscope on Vimeo.

15 June 2010: tba

I'm taking a break to go rainbow fishing in Katmai, but will do the show on June 15 (weather permitting).
I'm open to requests - leave a comment with your suggestions for the show.
The June 8 FreeForm may not be proggy....I don't know who's taking the shift.

1 June 2010: Declan Burke, t, Inquisitor Betrayer, Yes


This week we'll begin with selections from Inquisitor Betrayer's upcoming releases: Beowulf & Gilgamesh








  We'll also feature cuts from Progrockrecords artists Declan Burke and "t"

Dec Burke is a UK based vocalist/guitarist who has performed recorded, written with Darwin’s Radio, and Frost*, toured and supported Spock’s Beard and Dream Theater.
Destroy All Monsters is his first solo effort following his departure from Darwin’s Radio.
Written recorded and produced by Dec at his own studio, the album is high energy, but, has some very melodic softer tones. The album contains performances by Nathan King (Frost* / Level 42) and Carl Westholm (Carptree / Jupiter Society).


German multi-instrumentalist, singer, producer and control freak “t” is back with his 3rd album. After fronting german progrock masterminds “scythe” and 2 highly acclaimed solo albums, he took four years to write, perform, mix, produce and co-master “anti-matter poetry”, a 68 minute concept album. t, again, played all the instruments and sang all parts here.
t has always been a musician. his parents had him classically educated as a piano player as well as a singer from early childhood on, but as the girls seemed to fancy guitar players more, his main interest shifted there at a stage in his not-quite-so-early-childhood. Today he admits to the fact of being a strictly average musician with many instruments. From early band efforts on, t has also always been interested in sound issues and thus kept on learning how to arrange, record, mix, and produce. Although all of his solo albums feature him as the sole instrumentalist and singer, “Anti-Matter Poetry” is his first effort to also do all the sound work by himself. Only the final mastering was transferred to frequency wizard Jürgen Lusky - with t assisting, of course.
In his daytime job, t teaches teaching to teachers and teaches himself. However, he still does not suffer from any mental disfunction grave enough to be diagnosed, apart from having a phd in classics. He is married to the renowned artist and writer Katia Tangian and father of a daughter.

 This week's classic album is Yes Close to the Edge. The band's fifth album it was released in September, 1972.

Featured Music 25 May 2010: Karnataka & Jethro Tull

Karnataka is an excellent neo-progressive band featuring female vocals and showing influences of Yes, Mostly Autumn, and Clannad among others.
The Gathering Light is their most recent release and this week's contemporary progressive feature.
Sadly, even though they've just released this new album, Karnataka is set to begin a new chapter following the announcement that Lisa, Ian Harris and Gonzalo will be leaving the band.









Our classic prog album this week is Thick as a Brick, a concept album, and the fifth studio album, by English progressive rock band Jethro Tull released in 1972. Its lyrics are built around a poem written by a fictitious boy, "Gerald Bostock" a.k.a. "Little Milton" (Ian Anderson himself). The album featured only one song, lasting nearly 45 minutes. To accommodate the album on LP vinyl and cassette, the seamless track was split on both sides of the record. It reached number one on the U.S. Billboard Pop Albums chart.

Featured Albums 18 May 2010: Anathema New Release & The Doors




'‘We’re Here Because We’re Here’ is Anathema’s most expansive album to date and by the far best thing we’ve ever done. Not only have we improved as writers, but because we took our time, we had the opportunity to select the very best material and concentrate on it. We gave the songs the chance to breathe and come alive by themselves and it’s ended up being magical – every song is as good as the rest of them. This album features the best performances by the band ever; Vincent’s greatest vocals and John’s and my best writing" - Danny Cavanagh
          The album was mixed by Steven Wilson of Porcupine Tree.

After watching the documentary on PBS the other night, When You're StrangeI decided this week would be a good time to revisit The Doors classic, self-titled first album.  The Doors' self-titled debut LP was released in the first week of January 1967. It featured most of the major songs from their set, including the nearly 12-minute musical drama "The End". The band recorded their first album at Sunset Sound Recording Studios from August 24 to 31, 1966, almost entirely live in the studio.

Featured Music 11 May 2010: Artists of ProgRockRecords.com

With special thanks to Shawn Gordon at ProgRock Records, FreeForm features selected cuts from ProgRock Records artists: Karfagen, Wolfspring, Sky Architect, Roswell Six, and FramePictures.
 
Sky Architect
Excavation of The Mind
Overview

"Excavations of the Mind" can best be described as symphonic, complex,
dynamic, versatile and ambitious. Thriving to revive and reinvent the
progressive style and sound of the 70's, the album hopes to reclaim a place
for symphonic rock-music in the 21st century. The album dives into the dark
and disturbing psyche of a mentally troubled man, while staying true to the
concept oriented nature of progressive rock music. The music has a
complex structure with a lot of instrumental freedom. Vintage keys add to
the warm, symphonic character of their sound. You can often hear a hint of
bands such as King Crimson, Gentle Giant, The Flower Kings, Porcupine
Tree and Pain of Salvation in their music. The epic magnitude of the album
takes the listener on a journey into ones vivid imagination. Renowned rock
illustrator Mark Wilkinson, famous for his work with Marillion, Fish and Judas
Priest has created the artwork for the CD.
Players
Tom Luchies – Vocals, Guitar
Wabe Wieringa – Guitar
Rik van Honk – Keyboards, backing vocals
Guus van Mierlo – Bass
Christiaan Bruin – Drums, backing vocals
WolfSpring
WolfSpring
Overview
WolfSpring is a new band created by JP Louveton, guitarist and singer of
the progressive French band NEMO. Motivated by the creation of new
musical surroundings, this new project surrounds JP with musicians of
various influences : Julian Clemens (vocals), Ludovic Moro-Sibilot (Metal
drummer) and Guillaume Fontaine on keyboards, who also played in
NEMO.
Mixing in a new Metallic sounds, acoustic atmospheres and synphonic
music, WolfSpring belongs to that kind of modern progressive bands that
does not hesitate to experiment with genres, all while keeping a musical
coherence and a personal sound.
Players
Julian Clemens - Vocals
Jean-Pierre Louveton - Guitar, Bass, Vocals
Guillaume Fontaine - Keyboards
Ludovic Moro-Sibilot - Drums
THE LATEST ANTONY KALUGIN PROJECT
As expansive and emotive a statement of progressive art rock
music as you will hear this year with over 75 minutes of
memorable melodies to savour. It’s an excellent mix of mostly
instrumental tracks with some stunning vocals which has
expanded way beyond the horizons of earlier KARFAGEN, but
still retains the much loved sounds that reminds us of bands such
as CAMEL and FOCUS which is built upon with the debut of local
guitarist ALEXANDR PAVLOV who’s playing is masterful.
For the first time there is vocals on three tracks by MARINA
ZACHAROVA a female vocalist in the tradition of Celtic
flavoured bands such as MOSTLY AUTUMN, MAGENTA and
THE REASONING, a sound that creates that special magic the
listener is always seeking, with vocals that heighten and
compliment the track rather than dominate.
SANDPIPER is the follow up to the 2007 studio album THE
SPACE BETWEEN US, since then we have been treated to the
compilation 2CD, THE KEY TO PERCEPTION.
KALUGIN stated then that Keys was a closing of the first
chapter of KARFAGEN.
So with the Solitary Sandpiper Journey what else is new? Well
like any artist who is continually progressing (don’t forget he is
still not even 30 years old) in his work there comes a moment
when a combination of changes marks a watershed and the
tracks here show this. The previous KARFAGEN studio albums
were recorded on restricted budgets and with AK accordingly
handing over control of certain aspects to other parties, here just
like with the SUNCHILD and HOGGWASH albums he has
complete control on all aspects of the recording and mastering
showing Kalugin's abilities in these fields which places him at the
forefront of the new generation of progressive art rock musicians.
So here is 75 minutes of KALUGIN in full KARFAGEN vein and
bringing you as good a mix of instrumental and vocal music as
you will hear in 2010 enjoy the feast folks.
Caerllysi Music : www.caerllysimusic.co.uk
Antony Kalugin : www.antonykalugin.net
Roswell Six
Terra Incognita: Beyond The Horizon (PRR720)

Track List Line-up
1. Ishalem Vocals: Lana Lane, Michael Sadler, James LaBrie, John Payne
2. The Call of the Sea Keyboards: Erik Norlander
3. I Am The Point Guitar: Gary Wehrkamp, Chris Brown
4. Letters In A Bottle Bass: Kurt Barabas
5. Halfway Drums: Chris Quirarte
6. Anchored Violin: David Ragsdale
7. Here Be Monsters Cello: Mike Alvarez
8. The Sinking of the Luminara Flute: Martin Orford
9. The Winds of War
10. Swept Away
11. Beyond the Horizon
12. Merciful/Letters Reprise Discography
13. The Edge of the World Terra Incognita: Beyond The Horizon (2009)
Roswell Six - a short biography
International bestselling author Kevin J. Anderson has developed a unique crossover project with ProgRock Records -- an epic fantasy
novel and rock music CD: "Terra Incognita: Beyond the Horizon" in conjunction with his major new novel, "Terra Incognita: The Edge of
the World."
Anderson and his wife, bestselling author Rebecca Moesta, wrote the lyrics, adapting part of the novel’s story to music. Accomplished
keyboardist/composer Erik Norlander (Rocket Scientists) came aboard to write the music and to helm the production chores. Executive
Producer Shawn Gordon from ProgRock Records brought together some of the finest talents in progressive rock to form "Roswell Six."
Roswell Six is truly a supergroup, with vocals by James LaBrie (Dream Theater), Michael Sadler (ex-Saga), John Payne (Asia feat.
John Payne) and Lana Lane (the Queen of Symphonic Rock). Guitars by Gary Wehrkamp (Shadow Gallery) and Chris Brown (Ghost
Circus), bass by Kurt Barabas (Amaran¹s Plight, Under the Sun), drums by Chris Quirarte (Prymary), violins by David Ragsdale
(Kansas), cello by Mike Alvarez, and flute by Martin Orford (IQ). The creative team behind Roswell Six has sold over 45 million copies
worldwide.
The CD has 13 tracks and a booklet with original connecting prose by Kevin J. Anderson. Will appeal to the huge crossover audience
of SF/F fans and devotees of Progressive Rock.
Terra Incognita: Beyond The Horizon
For his new fantasy series, "Terra Incognita," bestselling author Kevin J. Anderson created an incredible fantasy universe with sailing
ships, sea monsters, a clash of religions, and a love that will reach to the edge of the world.
After the sacred city of Ishalem burns to the ground, a holy war breaks out between the world’s two major religions. But this is also a
time of exploration and discovery. The young sailor Criston Vora (sung by Michael Sadler) feels the call of the sea and signs aboard the
Luminara, a sailing ship that will explore beyond the horizon. After listening to Captain Shay (John Payne) tell glorious stories about the
wonders of the world, he says goodbye to his wife Adrea (Lana Lane), promising to return home. Meanwhile, Soldan-Shah Omra
(James LaBrie) follows the drive for vengeance demanded of his faith and raids ‘enemy’ villages. He captures Adrea, taking her away
with him . . . while Criston himself survives sea monster attacks and the sinking of the Luminara. The two lovers, swept apart, must
cling to their love and try to find each other.
Each of the 13 tracks, including two major instrumentals, stand alone; they are snapshots of the epic story, with connective prose
written by Anderson. This project -- novel and CD written by the same author -- is a unique musical experience. Read the novel. Listen
to the music.
More information: www.myspace.com/roswellsix
FramePictures
Remember It
Overview

Originally formed in 2004 as a group of session musicians backing up a pop
vocalist, the band realized that prog was where they wanted to be and
ventured out as an instrumental group similar to Planet X. After some time
in this configuration they decided that having a vocalist was what they
needed and found Tiago and started working on their first album.
The debut album of the Portuguese band brings to the 21st century the
same non-conformism and artistic expression without boundaries that was
so fresh in the past, through musicians like Robert Fripp, Brian Eno, Thom
Yorke and Steven Wilson. Varying from the most aggressive up-tempo
guitar riffs to the intimate warmth of the grand piano, “Remember It” is
stretching from left to right of the rock repertoire, including the 25 minutes
conceptual seven-part epic song “My Will to Live”.
Players
Tiago Delgado - Vocals
Artur Jorge - Drums
Helder da Silva - Guitar
Ricardo Drumond - Bass
Mafalda Brogueira - Keyboards

Featured Music 04 May 2010: Dark Side of the Moon Cover Versions - Membership Drive Edition

Pink Floyd's Dark Side of the Moon, released in March 1973 is arguably the most popular, well-known progressive album of all time, appearing on the Billboard charts for 741 weeks..
This week's show features two impressive covers of this seminal album, the first a December 2009 release by the Flaming Lips covering the entire album; the second, an a capella version entitled, The Dark Side of the Moon A Capella from Voices on the Dark Side. As time permits, you'll also hear reggae versions of selected DSotM cuts.
If you enjoy this show (or even if you don't), please call and pledge your support to KMXT public radio: 907-486-3181 OR go online to www.kmxt.org and pay for a new or renewed membership.

Featured Band 27 April 2010: Dogma (Brazilian Progressive Rock Band)

Dogma biography
DOGMA was an excellent progressive band from Brazil. The music performed on these two great albums is at the same time symphonic and melodious. Their compositions are very melodic relying on symphonic keyboard arrangements and some superb guitar interventions from Fernando CAMPOS. The guitarist has some Steve ROTHERY, Mike OLDFIELD echoes or Steve HACKETT style. The group's music is mainly influenced by GENESIS and CAMEL.


DOGMA'S debut album, Album, is definitely British in style with its long instrumental tracks of excellent melodic music in the neo-progressive vein.





Twin Sunrise is considered their best work of progressive rock. It is more symphonic, powerful and melodic than the first, adds vocals, but it is mostly instrumental. A recommended album for lovers of Steve HACKETT, CAMEL and SAGRADO CORAÇAO DA TERRA... A fine piece of progressive rock.

Featured Albums 20 April 2010: In the Court of the Crimson King; Gordian Knot

King Crimson
In the Court of the Crimson King (October, 1969)

The classic mellotron-soaked progressive rock album containing one of the great rave-ups of all time, "21st Century Schizoid Man".













Gordian Knot - Gordian Knot  (1999)
One of bassist Sean Malone's many projects.

Featured Albums 13 April 2010

Camel  Mirage (1974)
with guitar virtuoso Andrew Latimer this album concludes with their now standard encore: "Lady Fantasy"







STS9  Live at the Wilma Theatre Missoula, Montana     31 October 2000
An excellent introduction to a band whose live performances far outshine their studio work.

Featured Albums: 06 April 2010

Mostly Autumn - Pink Floyd Revisited

Fairly faithful renditions colored by the band's unique touch

Porcupine Tree - Up the Downstair

One of those classic albums with no clunkers - every cut flows into the next seamlessly, ending with the haunting Dark Matter.

Featured Albums: 16 March 2010

Lawrence Schiller (narrator) - LSD: A Documentary   (1968 Capitol Records)
"Brian's rocky journey ended 12 hours after it had so innocently begun. And the results were shattering"












Porcupine Tree - Voyage 34: The Complete Trip  1993)

Musical composition built around narrative excerpts from LSD: A Documentary

Featured Album: 09 March 2010

Porcupine Tree - The Incident
Steven Wilson's latest opus, a 55 minute integrated musical composition now being toured around the world.
Soon to be released in 5.1 Surround.

Progressive Bands That Have Been Played on FreeForm Radio (since 1987): A Partial List

Anathema, Camel, Porcupine Tree, Pink Floyd, Karnataka, Jethro Tull, Yes, Steven Wilson, Mostly Autumn, ELP, al gore, Inquisitor Betrayal, King Crimson, Eno, Robert Fripp, Jonas Brothers, Coheed and Cambria, Hanson, Ozric Tentacles, Gong, Joran Van der Sloot, Daevid Allen, gulf oil spill, Steve Hillage, Starcastle, Gordian Knot, Gordon Giltrap, Britney Spears, Pulsar, The Doors, STS9, Focus, Triumvirat, Justin Bieber, Magma, Om, tipper gore, Jimi Hendrix, Cast, Miley Cyrus, Sarah Palin, BP, Obama, Top Kill, Ian Andersen, Roger Waters, The Wall, Roswell Six, Wolfspring, Declan Burke, Steve Hillman, Mohorific Discontinuity, alaska, Ian Boddy, Robert Rich, Holloway, Shylock, Dogma, Karfagen, Flaming Lips, Easy All-Stars, Sky Architect, FramePictures, ProgRock Records, Richard Barbieri, Elizabeth Edwards, BP oil spill, PFM, American Idol, Faust, Can, Transatlantic, Alice Cooper, Mahavishnu Orchestra,