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Two trailblazing new music artists — Kronos Quartet and composer Philip Glass — come together once again for a recording of the first original score for the Universal Pictures 1931 horror film classic Dracula, starring Béla Lugosi. Glass’s score marks the first-ever for a film which the composer himself considers a classic. “Many films have been made based on Dracula since the original in 1931 — however, none is equal to the original in eloquence or the sheer power to move us.”
There have in fact been many screen versions of Bram Stoker’s classic tale of Dracula, but none more famous or enduring than the 1931 original. Starring Béla Lugosi as the world’s best known vampire and directed by horror specialist Tod Browning, Universal Studios’ Dracula creates an eerie, chilling mood that has rarely been realized since. Dracula’s initial theatrical release coincided with the transition from silent pictures to “talkies.” At that time limited technology existed to present the film as a sound picture, so no musical score was ever composed and there were few sound effects. Browning relied on Lugosi’s legendary Hungarian accent to give the film its distinctive sound.
Glass’s new original score for Dracula was commissioned by Universal Family and Home Entertainment Production for inclusion as part of Universal’s Classic Monsters collection, to be released on video on August 31. Philip Glass, in commenting on writing this score, said, “The film is considered a classic. I felt the score needed to evoke the feeling of the world of the 19th century — for that reason I decided a string quartet would be the most evocative and effective. I wanted to stay away from the obvious effects associated with horror films. With Kronos we were able to add depth to the emotional layers of the film.”
Two books, since first publication, have never been out of print. One is the Bible and the other is Bram Stoker’s Dracula. Dracula is the embodiment of Satan for the Victorian age. The character is sinister. He is cunning. He is repulsive, sickening in fact. He is quite different to the suave gentleman that any of the films depict him as. He is an old man who grows younger when gorged with blood. He is a walking, rotting corpse, the opposite to us and a reminder of our own mortality. He is arrogant, psychopathic and obsessed with imperialism. Perhaps the novel’s popularity has always been in its ability to make one feel like order has been restored through a strong empathy with the characters. We feel that we have become part of their existence through reading their diaries, letters and hearing their phonograph recordings. There is a real element of hope in their words and in their practices, we even see technology used to aid their war. Therein is progress alongside the knowledge of the past, looking to the future to dispel the shadows and bring us light where once we only saw fear in darkness. We can see the war of civilisation versus our baser instincts, not only in the fight against the sexual charge in the vampiric bloodlust but also in the ability that our heroes have to prevail against the animalistic forms that Dracula brings. As the Bible this is a book full of temptations and resistances that gets to the core of the psychological war inside us, as we fight our own inner biblical adversary, subdue the satanic beast within us and aspire to righteousness.
To celebrate this modern myth Eighth Tower has called musicians from various countries and asked them their musical interpretation of the Dracula myth. Either gloomy soundscapes or electroacoustic compositions, all the pieces are inspired by chapters, scenes, or characters from Bram Stoker’s novel.
credits
Our thanks to Raffaele Pezzella for providing us with a copy of this release.
REVIEWS
OndaRock
www.ondarock.it/recensioni/2022-aavv-dracula.htm
Bizarre Chats
bizarrechats.blogspot.com/2022/10/eighth-towers-dracula-inspired-music.html?sc=1665128621667#c942901699638122052
Published by Eighth Tower Records
Curated and mastered by Raffaele Pezzella
Artwork by John Chadwick
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