21 March 2023: Granada; Node; Deep Red: A Tribute to the Cinema of Dario Argento

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Granada biography
Founded in Madrid, Spain in 1974 - Disbanded in 1979

Pioneering early-70's Spanish progressive band, GRANADA (from Madrid...) was the musical project of multi-instrumentalist Carlos Carcamo (flute, violin, acoustic - and electric piano, mellotron, clavicordio, 12-string guitar, percussion and vocals!) and the other musicians Michael Vortreflich (electric guitar), Antonio Garcia Oteyza (bass) and Juan Bona (drums and vocals).

GRANADA had a unique style. They remind of the Mexicans ICONOCLASTA, and also other Spanish bands like TRIANA or COTO EN PEL. The British influences come from YES, JETHRO TULL and other Italian bands very present in their sound. The emphasis of GRANADA relies on the keyboards (with profusion of moog and mellotron) and guitar instrumental passages, but with more keys than guitar. They sound like a mix of fusion and symphonic influences. 


 Excellent disc of Spanish Symphonic Prog with all caracterist of genre and one of most complete of the history of the symphonic rock in Spain (excellent mellotron). Instrumental Master combination of styles like Canterbury Jazz, Symphonic Prog Classic and RockAndalus.

 


When synth supergroup Node first surfaced with their eponymous album in 1995 they, more than anyone else, nailed “that sound and vibe”, which had become the obsession of so many others. They seemed to encapsulate the very essence of the early German electronic music pioneers such as Tangerine Dream but with production values to die for courtesy of Node founder members Ed Buller & Flood, who were of course internationally renowned producers in their own right. But it was another 19 years before their follow up album appeared on DiN as “Node 2”, (DiN44) to be closely followed (by Node standards), with their live concert album performed at the Royal College of Music, London.

Up to that point that was the total canon of their work except for the EP “Terminus” recorded at their infamous Paddington Station gig. Surely they must have more material hidden away in their vaults and indeed this is exactly what the album “Singularity” is, the legendary “lost” Node album. Recorded at the same time as their original sessions in 1994 this has DiN stalwart Dave Bessell join Buller & Flood alongside original member Gary Stout who was later replaced by Mel Wesson for the two DiN releases. Presented here for the first time, mastered to modern standards but otherwise untouched and in its original form and recorded to two track with no overdubs. As a bonus the track “Terminus”, mentioned above, is included in the release.

The music is a snapshot in time 29 years ago when Node were first powering up their huge banks of vintage modulars and sequencers to create a tapestry of electronic sound. At times raw and almost out of control and at others delicate and ethereal this quartet of fabled musicians can create atmospheres and soundscapes like no other. The crackling energy of the sounds they coax out of these steam driven behemoths positively pulsates with life and organic energy and will be a real treat for aficionados of the Berlin school style of electronic music.

Another great release from the DiN imprint released in a beautiful Digipak CD edition with a special 8 track booklet with photos taken at the time of the original recording sessions.
 

credits

released March 17, 2023
Our thanks to Ian Boddy for a promotional copy of this release.

Dave Bessell - disguised guitar, interactive phrase synthesizer, atmospheres and keys
Ed Buller - monster moog, sequences and keys
Flood - sonic interventions, sequences
Gary Stout - ring modulated trumpet, atmospheres and keys

The legendary lost Node album. Recorded in 1995 in the same sessions as the first album but largely unheard until now. Over the intervening years one or two things intended for the album escaped into the world but the majority of the material on this recording is previously unreleased. Presented here for the first time mastered to modern standards but otherwise in its original form - recorded straight to two track with no overdubs. These recordings include original member Gary Stout who was later replaced on more recent Node recordings by Mel Wesson.

Node wish to thank all those who were involved in the Node project over the years, too many to list but you know who you are!

Cover photos from the collection of Hans Jenny (1904-1972) who coined the term Cymatics to describe the patterns made by soundwaves on a sand covered metal plate.




Dario Argento was born in Rome, Italy, on September 7, 1940.Before becoming a screenwriter and later a director, he was a film critic. Ever since his "The Bird with the Crystal Plumage" heart-stopping directorial debut in 1970, Dario Argento has been redrawing the boundaries of cinematic horror with flamboyant violence, feverish plotting, and deliriously stylized compositions. Initially associated with giallo, the pulpy Italian subgenre he helped formalize and would later take to unprecedented heights with his international breakthrough, Deep Red (1975), Argento embraces a gamut of fantastical influences—from sublime Gothic art and penny dreadfuls to Murnau, Hitchcock, and Disney with his distinctively baroque style of disorientating cinematography, stained-glass colorwork, and elaborate musical scores (often composed by his own rotating house group, Goblin). As far as horror film directors go, few are more influential and prolific than Dario Argento. With over half a century of films under his belt, the Italian Argento became a popular purveyor of giallo, but none made more of an impact than Argento.
"With his first cinematic foray, Argento instantly elevated giallo into an art form. Horror was never the same again. The director is often referred to as the Italian Alfred Hitchcock, and while both auteurs were skillful at building pressure-cookers for plots, Argento developed a trademark style, sophistication, and perversity all his own. In film after film — The Cat o’ Nine Tails, Deep Red, and Suspiria among his very best — he employed the familiar trope of a maniac on the loose to build delicious, glamorous, vivid, and vicious jigsaw puzzles, with plenty of blood, eerie electronic music, whispering psychopaths, children’s nursery rhymes, vertiginous camera angles, odd animal cameos, and, Argento’s particular forte, over-the-top baroque deaths. Argento was making murder and mayhem into something far stranger: a seductive deep dive into our dark psychologies, with all the attendant political and sexual upheaval of the time".

To celebrate the cinema of Dario Argento, Eighth Tower has called musicians from various countries and asked them their musical interpretation of his movies and his "dark giallo" universe".
 

credits

released March 3, 2023 
Our thanks to Raffaele Pezzella (SONOLOGYST) for a promotional copy of this release.

REVIEWS

Ver Sacrum
www.versacrum.com/vs/2023/03/aa-vv-deep-red-a-tribute-to-the-cinema-of-dario-argento.html

Bizarrechats (Michael Housel)
bizarrechats.blogspot.com/2023/03/dark-fiction-6-terrorvision-stories.html


Previously unreleased music by:
Michael Bonaventure, Grey Frequency, Rapoon, Joel Gilardini, 400 Lonely Things, David Strother & Carl Royce, Gianluca Becuzzi, Kloob, Mario Lino Stancati, Arrighi-Bocci-Fontana-Lepore, Pluhm.


Published by Eighth Tower Records
Curated and mastered by Raffaele Pezzella
Design by RhaD
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