Showing posts with label geddy lee. Show all posts
Showing posts with label geddy lee. Show all posts

07 July 2026: Rush 50 Something Tour Celebration; DiN Reimagined Volume 1 (DiNDDL36)

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You can now listen to the livestream of the show through the KMXT app; it's available through the Mac App Store or Google Play. The stream is also available at www.kmxt.org

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The music you hear on tonight's show is available on the artists' Bandcamp pages and websites. (links below) 

                    We urge you to support the musicians you hear on FreeForm Radio 

Tonight we celebrate the 50 Something Rush tour set for 2026 and 2027. We'll start with Side 1 of the 1976 album that was their major breakthrough, 2112,  and follow with some choice studio cuts from A Farewell to Kings (1977) and Hemispheres (1978).

2112 (1976): 

 I. "Overture" (4:31)

II. "The Temples of Syrinx" (2:16)

III. "Discovery" (3:25)

IV. "Presentation" (3:41)

V. "Oracle: The Dream" (2:00)

VI. "Soliloquy" (2:19)

VII. "Grand Finale" (2:16)

"Cygnus X-1 Book I : The Voyage"       (A Farewell to Kings, 1977)

"Cygnus X-1 Book II: Hemispheres"     (Hemispheres, 1978)

"La Villa Strangiato"                          (Hemisperes, 1978)

"Closer to the Heart"                         (A Farewell to Kings, 1977)

The Fifty Something tour is a concert tour by the Canadian rock band Rush. The tour began on June 7, 2026 in Inglewood, California, and is currently set to conclude in Helsinki, Finland on April 10, 2027.[1] It is Rush's first tour in 11 years, and their first live outing without drummer Neil Peart in 52 years, following his death in 2020,[2] with Anika Nilles filling in for him.[3] On February 23, 2026, Rush announced that Loren Gold would be the keyboardist for the tour, making it the first time the band has toured with more than three main musicians.[4][5] 

 

 

The merits of the DiN releases Box of Secrets, Distant Rituals, Outpost, Art of Sacrifice and Blaze continue to be worth extolling, as the ideas they contain are remarkable and unique in history. Setting these titles as reference points, Ian Boddy has reconceived and reworked each to produce the five 30 minute experiments presented on DiN Reimagined Volume 1 (158:05). This impeccably crafted batch of reconstructions have been dropping periodically over the years, for people in the know (Boddy's Patreon subscribers), and are collected now in this first of a new series. Though all tracks are rooted in a previous DiN designation, Boddy sees the aforementioned albums as reference points - reconsidering the music and intentions of the earlier version, in a transformation of markedly different artistic outcomes. Suppressed beneath a midnight of softly burning dreams listeners delve into chill currents - to emerge beyond the control of known forces. In direct connection to lower levels of thought electronic textures and tones expend their force in an atmosphere of searching. Falling through darkness notes collide, collude and combine. Moments pass in a ramble of melody, a flight of timbre, a search of harmony. Chords, moving in contrary motion suggest a scene, create a mood - fashioning a world that may be real, but not representative of reality. Hallucinatory and fragmentary, these impressionistic aural images are the product of a particularly astute re-interpretation and refinement of the original recordings. Commanding a range of technologies and mechanisms Boddy has here realized a pentad of surreal, dreamlike sonic experiences - which manage to acknowledge their sources, while emphasizing a distinctive craftsmanship, inventiveness and personality. DiN Reimagined Volume 1 offers a sound collage that moves well within the painstakingly detailed shades and hues of Ambient Music. In such cerebral Spacemusic, even when challenged by dissonance we hear a unity in the arrangement - and what message it is trying to convey.

- Chuck van Zyl/STAR'S END   18 June 2026


As the core DiN label inexorably heads towards a century of releases, it’s worth looking back on a huge legacy of incredible releases. Label boss Ian Boddy has been producing some very special mixes of the early, deep back catalogue titles over the last couple of years. However, unlike the free-to-download DiN Mixes (of which there have been six so far), these are total reconstructions of the relevant albums. This method of working has involved Boddy using a number of techniques, including time-stretching, tape recorder pitch changes, granular engine manipulations, adding new effects such as reverb and echo, as well as accessing the original albums’ stems. Thus, they are not simple remixes using the original album tracks but rather a reconstruction of each release to produce a new piece of music. Indeed, Boddy has eschewed any references to rhythmic or sequenced material from the source tracks but has rather created a series of ambient soundscapes that each span 30 minutes or so. These open up new possibilities from the peacefully ambient to the weird and mysterious. Originally released exclusively via Boddy’s Patreon channel, this first volume collects five of these reimagined mixes as a Bandcamp digital download album.

credits

released June 12, 2026

All mixes reimagined by Ian Boddy from the original DiN albums.

Ian Boddy Patreon channel @ www.patreon.com/ianboddy

https://bandcamp.com/discover/sunderland?from=tralbum&artist=1737731247   

 

31 March 2026: Rush - "Grace Under Pressure" 2026 Remaster; Appleblim "Liminal Tides"; Electric Dead Speak. Music inspired by the Electronic Voice Phenomenon

  Be sure to follow KMXT FreeForm Radio on Facebook and Bandcamp and Spotify.  

You can now listen to the livestream of the show through the KMXT app; it's available through the Mac App Store or Google Play. The stream is also available at www.kmxt.org

Please support FreeForm Radio and KMXT by going to www.KMXT.org and pledging your support.

The music you hear on tonight's show is available on the artists' Bandcamp pages and websites. (links below) 

                    We urge you to support the musicians you hear on FreeForm Radio 

I am also hosting Rural Electric (Mostly Country Music) from 7-9 pm this week.


Originally produced by Peter Henderson, “Grace Under Pressure” was the first Rush album since their 1974, self-titled debut not produced by Terry Brown. The processes the band went through after leaving Terry influenced Neil Peart’s choice of album title, a quote from Ernest Hemingway, “courage is grace under pressure”. That release was remastered at Abbey Road Studios by Sean Magee and is Disc 1 of this “Super Deluxe” edition. 

Sandwiched between the albums “Signals” and “Power Windows” and coming after a run that contained classics such as  “2112”, “A Farewell to Kings”, “Hemispheres” “Permanent Waves” and “Moving Pictures” this album is a somewhat hidden gem in the expanse of the Rush discography that continues with the high standards already set and is considered by Alex Lifeson as Rush’s most satisfying album. 

Melodic pop hooks dealing with gloomy lyrics pertinent to the times abound, darkly. Opener “Distant Early Warning” and track 4, “The Enemy Within” with their Cold War fears; “Red Sector A” as Geddy refrains “Are we the last ones left alive?” as the horrors of incarceration in a nazi concentration camp are described. “Red Lenses” with Neil Peart showing his inventive, percussive class, “Afterimage” providing a eulogy to a recently departed friend of the bands’, and closer “Between the Wheels” with metal-esque guitar from Alex complete with smoking solo. 

 

                                                                Appleblim  Liminal Tides

Credits:
Music by Appleblim
Mastered by Alex at quiet details studios
Artwork by quiet details in collaboration with Laurie Osborne
Design by quiet details
© quiet details 2026 all rights reserved

For the next interpretation of quiet details, really excited to welcome a hugely influential figure in underground electronic music, Laurie Osborne, here as Appleblim.

Laurie’s been making music for over twenty years now, and along with fellow pioneer Shackleton, founded the seminal Skull Disco label. Massively important to the evolution of bass music, and leading the cross-pollination of genres with essential releases for dance-floors and beyond worldwide.

Many solo and collaborative releases with top artists across the scene on labels such as Aus Music, Tempa, BLKRTZ, his own Apple Pips, R&S Records, Sneaker Social Club and more - remixes from the likes of Torsten Pröfrock ( T++) - countless mix CDs and podcasts showing his prowess as a DJ (he was resident at the legendary FWD>> and plays at the best clubs all over the world) - Laurie’s a true stalwart of the underground and much loved by artists and fans alike.

So it’s an absolute pleasure to have him on quiet details with the incredible Liminal Tides

Drawing from all his experience creating ultra-deep sonic worlds, this album is a vast and kaleidoscopic trip through psychedelic dubwise exploration.

Billowing synthetic chords envelop the listener in the most mesmerising way - fragments of sound wash around the soundscape - melody and percussion drifts in and out - all evoking a beautiful place we can serenely inhabit and get totally lost in.

Underpinned by endless sub-bass and each track constantly shifting and evolving, this is a definitive piece of sonic art by a musician at the top of their game - a clear vision of the music, executed to perfection.

As Laurie says:

This album is a collection of places between states...

wake / asleep
self / no self
conscious / unconscious mind / no-mind

I hope you feel supported, buoyant, swirling, adrift as you visit them...

The places were all made by manipulating warm harmonic analogue chords, except Seagull which is all generated from the recording of a foghorn and a seagulls call...

Huge thanks to Laurie for this stunning addition to the series.

The artwork was made as always influenced by the music and idea behind the album - originating from a photo from Laurie which was then captured with analogue photography and processed here at quiet details studios.

As usual, the album is presented on the physical edition, a custom six-panel digipack with a separate fine art print too.

The CD also has a special long-form continuous mix of the album, created by the artist and representing the music in its purest form - highly recommended.

appleblim.bandcamp.com
 

credits

released March 18, 2026

license

all rights reserved

tags

 

 
The new Eighth Tower Records compilation dedicated to the Electronic Voice Phenomenon (EVP) delves into one of the most fascinating and disturbing frontiers of sound and human perception. Across twelve tracks created by artists active in the post-industrial and dark ambient scene, the release investigates the mysterious intersections between technology, death, and the persistence of consciousness. The Electronic Voice Phenomenon, documented since the 1950s, refers to the capture of inexplicable voices on magnetic tape or digital media, often interpreted as messages from the dead or transmissions from other dimensions. Whether one believes in their paranormal origin or considers them the byproduct of noise and human projection, these sounds occupy a zone where the boundaries between science and mysticism, signal and hallucination, are erased. The artists involved translate that uncertainty into a dense fabric of drones, mechanical pulsations, spectral harmonics, and decomposed field recordings. Listeners are drawn into a space that feels simultaneously technological and occult, as if the recording devices themselves had become instruments of invocation.
The album functions as an aural séance, a shared act of listening where every sound could be a transmission from elsewhere. The ambiguity of these sonic traces mirrors the ambiguity of EVP itself: are we hearing external messages, or merely amplifying the hidden noise of our own minds? Faithful to the dark aesthetics that characterize Eighth Tower Records, this project extends the label’s exploration of modern mythologies and their technological manifestations. In a time when artificial intelligence and algorithmic processes increasingly mediate perception, the EVP phenomenon returns as a powerful metaphor for our relationship with the unknow, the desire to hear what is not meant to be heard. 

credits

released February 12, 2026

REVIEWS

Bad Alchemy
With Electric Dead Speak. Music Inspired by the Electronic Voice Phenomenon (ETR070), Eighth Tower turns its attention to listening to “paranormal tape voices.” Think of the pioneers, Friedrich Jürgenson and his Radio Contact with the Dead, Konstantin Raudive and Breakthrough: An Amazing Experiment in Electronic Communication with the Dead. Within sound and tape culture, this field was eagerly embraced, particularly by Michael Esposito with works such as Dead Whisper: In Search of Ghosts and the Supernatural and Paranormal Labs Presents: Ghost Asylum. The house musicians of Eighth Tower are once again involved. Pezzella himself, as RhaD, contributes Afterlife Recordings, unfolding in pixelated, droning harmonies. Mario Lino Stancati delivers distorted speech transmissions and rough buzzing textures in Instrumental Transcommunication. Nikos Sotirelis, with phAntAsma, casts a trawling net for voices amid boiling, hissing, orchestral-blurred audio atmospheres. From New York, Yousef Kawar, who has previously contributed to the ETR compilations Stalker, Drone Islands – Borealis, Solaris, and Music for Imaginary Places, presents vocal simulacra in Voices Without Bodies. Dávid Kovács, aka Kokum, previously featured on Obscured Instinct and the Pale Folklore (ETR055), offers AEA, where chants emerge from buzzing and cracking layers. Walter Abreu, aka SÍLENÍ, from Portugal, explores the “thereafter” with shimmering, rhythmic and elegiac harmonies in The Space Between Noise. His compatriot PNÉVMMA brings drone and heavy footfalls in doni-seis. In Montreal, Richard Bégin crosses the Styx in Metaphonic with creaking drones and bleating sonic textures. Wannes Kolf, aka Oubys, based in Hasselt and known for Holosphere on Unexplained Sounds Group, hums over The Empty Tower, echoing Saint-Exupéry’s final radio message. The Resa dives into cloudbursts of noise surges with Spectral Patterns in Random Noise. Nerthus, the Thuringian drone practitioner, following Love Letters via Echelon (ETR064), casts his net into radio waves with Voces Mortuorum. Finally, Joel Hinkle, aka Insectarium, the nocturnal hunter of fire spirits from Springfield, entertains hardened children with The Child’s Laugh, delivering resonant tones, deep drones and raw, repetitive impulses straight out of the Twilight Zone.
[BA 132 rbd]

Weird bones
weirdbones.co.uk/the-electric-dead-speak

Luminous Dash
luminousdash.be/internationaal/electric-dead-speak-music-inspired-by-the-electronic-voice-phenomenon-eight-tower/
FreeForm Radio thanks Raffaele Pezzella (Sonologyst) for providing a copy of this release.

Curated and mastered by Raffaele Pezzella (Sonologyst).
Published by Eighth Tower Records.
Layout by Matteo Mariano.
Cat. Number ETR070.
© 2026. All rights reserved.

license

all rights reserved

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