Showing posts with label fripp. Show all posts
Showing posts with label fripp. Show all posts

29 November 2022: Dancer; litmus0001; Capricorni Pneumatici

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THIS FRIDAY IS BANDCAMP FRIDAY WHEN THE MUSICIANS GET TO KEEP ALL REVENUE FROM SALES AND PAY NO FEES TO BANDCAMP.

 

Sonnenmensch's avatar

Sonnenmensch
ProgArchives:

DANCER were formed from remnants of Isle of Wight folk rockers SHIDE & ACORN and future famed film director the late Anthony Minghella. Minghella had previously appeared as keyboardist in a small jazz group known as EARTHLIGHT.

The musicians were discovered by Wilf Pine, former manager of BLACK SABBATH and future reputed ranking member of the Gotti mafia syndicate in the United States. Pine secured the group studio time at Olympia in the Barnes suburb of London in 1972, where they recorded seven tracks over a month's period under the direction of GROUNDHOGS guitarist Tony McPhee. McPhee, despite having an arm in a cast offered the guitar solo to close the title track. DANCER dissolved soon afterwards and their recordings remained forgotten until copies emerged nearly thirty years later and were released by Kissing Spell.

Minghella would go on to a lengthy and successful career as a film producer, while Athey and Cuffe would form the funk band BIG SWIFTY.

DANCER merit a place in the ProgArchives.com for their brief but enjoyable contribution to progressive music at a transitional and largely forgotten period in the individual members' careers.

biography by Bob Moore (aka ClemofNazareth)
 
 

 
From Jonathan Ewald:
This release, negative fundamental,  was recorded 12/27/2021 in a single take, all improvised, one track recorded live, no overdubs. The only thing I had a good idea about was to play around the modes associated with G min/Bb maj. 6 string bass thru loops and delays and fx. Knife glissando. Alligator clips chimes. MC202 old school analog synth thru a tremolo pedal and then, programmed sequence thru a delay pedal. 
 
Influences: Robert Fripp, Steve Hillage, Manuel Gottsching/AshRa, Bill Laswell, Godspeed You! Black Emperor, Sunn O))) ,Boards of Canada.
 
In my process, when these recording sessions turn out best, all but the most bare of plans goes out the window. I try to be patient and build a worthwhile soundscape with minimalist intent. Ideally, this leaves room for development and turning corners, changing the mood and direction of the piece slowly so it all just gently flows together.

I try to have my mind as blank as possible while open to what my ears are hearing. I try to be patient. Again, slow development seems to allow avoidance of trainwrecks... maybe.

A factor contributing to the success of these longform improvised pieces is to approach the primary instrument, the 6 string bass, more as an means to make sounds than as a musical instrument.

Right now working on an extension of the litmus0001 project, called Uberwacht. Essentially, litmus0001 + drummer.
 
This release is available on Bandcamp.  Bandcamp Friday is this Friday.   Our thanks to Jonathan for providing us with a copy of this release.


Eighth Tower Records re-discovers by a cd publication the cult 1989 tape cassette "Nibbas" by Capricorni Pneumatici. They took their name from the Aleister Crowley "Liber A' ASH vel Capricorni Pneumatici SUB FIGURA CCCVII", and between 1987 and 1991 were one of the most active projects of the esoteric/industrial Italian underground.

All tracks composed and performed by Capricorni Pneumatici
Recordings and mixing 1988 - 1989
Cover design by CPS

credits

Our thanks to Raffaele Pezzella for providing us with a copy of this release.
released November 17, 2022

Original tape release by Minus Habens, 1989
Remastered at CPS, Jan 2022
© CP & ETR 2022 all rights reserved
Published by Eighth Tower Records
 

27 March 2018: Ian Boddy et al (DiN:TS01) & The California Guitar Trio



1.


2.
09:02


3.
07:41


4.


5.
06:13


6.


7.


8.
09:38


9.
07:59

From the DiN Bandcamp page:    DiN was initially set up in 1999 by well known UK synthesist Ian Boddy to bridge the gap between the analogue music of his heritage and the emerging digital possibilities of the future. This label has always forged it’s own independent path and to date has released 54 physical CD albums as well as 19 download only releases.

Even after being involved in music since the late 1970’s Boddy has continued to explore new sonic territories and in 2016 he released what was probably his most experimental album in “Tone Science” (DiN48). This album comprised five long, slowly evolving self playing compositions realised entirely on his vast arsenal of modular synthesisers. Boddy’s love of the analogue sound has been well documented not only through his own releases but many sound and sample libraries. These instruments all but disappeared in the 1990’s but recent years has seen an unprecedented growth in interest in this form of synthesiser with a proliferation of both module manufacturers and performers using these highly flexible and personal systems.

Thus, inspired by his “Tone Science” release, Boddy has set up this sub-label to feature artists and performers working in the field of modular synthesis. The first release “Module No.1 Structure and Forces” is a compilation album featuring nine artists from different musical backgrounds with the common thread being that all the tracks were composed entirely with a modular synth system.

The album opens and closes with the ambient soundscapes of two tracks by DivKid and Matthew Shaw who run the well respected Modular Podcast. Boddy himself follows the opening track with an extension to his original “Tone Science” album with another aleatoric self playing composition in “Tone 6”. Paul Lawler and Nigel Mullaney are both heavily involved in library music and soundtrack composition and their two multi-layered compositions showcase the cinematic possibilities of the modular synth world. The remaining four tracks are more rhythmic in nature with the beautiful ambient washes of “If Wishes Came True” by Scanner leading into the hypnotic ostinato patterns of “Ghatam” by Richard Scott. French Buchla wizard Lyonel Bauchet ramps up the intensity with an elegantly constructed pulsing track before Chris Carter (Throbbing Gristle) ends the rhythmic proceedings with the grimy, dubby bass powered “Frieze Relief”.

Boddy has curated both the artists and tracks on this album to flow in a musical way and not just be a collection of equipment heavy demos. Though fascinating and always cool to look at, it is important not to get lost in the gear for gears sake syndrome. Having said that this album features Eurorack, Serge, Buchla & Hordijk modular systems and the nine tracks show how varied and flexible these instruments can be.

“Tone Science Module No.1 Structure and Forces” is just the first of what Boddy intends to be a series of releases on this new sub-label featuring artists and musicians working in this ever fascinating and varied musical field.
 

credits

released March 16, 2018

1) DivKid - Natural Minor Sines - 8:05
This track was born from explorations in merging entirely generative, random leaning musical pieces alongside performed interactive sonic excursions. Modular synths provide the perfect playground for merging both disciplines
divkidmodular.com

2) Ian Boddy - Tone 6 - 9:02
This aleatoric self playing composition features my Serge modular and is an extension to my original Tone Science (DiN49) album released in 2016.
www.ianboddy.com

3) Paul Lawler - Virus - 7:43
A complex, organic soundscape with symphonic builds and falls, evolving colours, and strategic spaces in the ambience to draw the listener into this modular and alien world.
www.paullawler.org

4) Scanner - If Wishes Came True - 6:27
Like all my modular compositions this composition was recorded entirely live, combining live radio transmissions with a very hands on performative use of my modular system.
www.scannerdot.com

5) Richard Scott - Ghatam - 6:14
Ghatam is a contemplative percussive piece composed using the Hordijk Modular. I am particularly intrigued with the quasi-acoustic resonant qualities of this instrument which in this track reminds me of a simple Indian clay pot drum, hence the title
richard-scott.net

6) Lyonel Bauchet - Un coq à Esculape - 6:09
This piece uses a combination of my Buchla modular (featuring the 259 Complex Wave Generator) as well as Eurorack systems and Metasonix D1000 for percussion.
lyonelbauchet.bandcamp.com

7) Chris Carter - Frieze Relief - 5:28
A squelchy, dubby live piece featuring Roland System 500 controlled by a Koma Komplex with Tip Top percussion voices & lots of live modular processing and effects.
www.chriscarter.co.uk

8) Nigel Mullaney - Spherfear - 9:39
A composition that started with an abstract emotion, a lament to the fusion of Modular electronic music and the pure tones of orchestral instruments. A dead star adrift in an harmonic sea of binary modulations.
www.nigelmullaney.com

9) Matthew Shaw - Harmonograph - 8.00
Track composed using a 3 panel Serge modular with a Ditto X4 Looper and effects via Bugbrand Crossover Filter, Earthquaker Devices Avalanche Run & OTO BAM.
electricreference.bandcamp.com

Total Time 67:07

Design by Matthew Shaw
matthewdavidshaw.com

Mastered by Ian Boddy 
 
 
February 24, 2018, I had the pleasure of seeing the California Guitar Trio perform at MIM, the Musical Instrument Museum, in Phoenix, Arizona.   The second half of tonight's show is the setlist from that show; it is not an actual recording of that show, but rather a collection of performances of the songs they played that night.