Showing posts with label scanner. Show all posts
Showing posts with label scanner. Show all posts

07 October 2025: The Black Noodle Project "Divided We Fall"; Scanner "Forces, Reactions, Deflections (quiet details 40); Codex of Pleasure and Pain - A Sonic Tribute to Clive Barker's "Hellraiser"

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The music you hear on tonight's show is available on the artists' Bandcamp pages and websites. (links below) 

We urge you to support the musicians you hear on FreeForm Radio. 

I will also be hosting Rural Electric (Mostly) Country Music from 7-9 pm after the Island Messenger.  I'll be spotlighting Amanda Shires' new release: Nobody's Girl

The album is deeply personal, addressing themes of loss, resilience, self-discovery, and empowerment following a public divorce. 


Review by kev rowland
SPECIAL COLLABORATOR Prog Reviewer / Special Collaborator

5 stars Four years on from their last album and Jérémie Grima (guitars, voice, programming) and Sébastien Bourdeix (guitars) are back with the sixth studio album. They are the only survivors from the line-up that recorded 'Ghosts & Memories', and here they are joined by Tommy Rizzitelli (drums) and Frédéric Motte (bass). The band was originally a solo outing by Jérémie, and we were first in contact at about the time of the debut album back in 2004. I have always enjoyed their music, but this time they appear to have taken it to another level. They have always been heavily influenced by the likes of Pink Floyd and Porcupine Tree, but this time I believe we need to add Muse to the mix plus a real feeling of self-awareness and control. Heavily instrumental, this is an emotional album with the guitar often at the forefront, with just a few notes plucked from the ether to create something that is very special indeed.

From the very first sounds of "Isolation" I felt that I was onto something very special indeed and decided to not listen to the album until I could sit and give it the sole attention it deserved. I decided against headphones, but instead sat quietly in the middle of a room and let the sound wash over me (accompanied just by a rather large glass of rum, just to keep me company). There is a presence and self-control in this album that other bands need to pay attention to: there is no need to play five thousand notes to the bar when every note is placed with such perfection. There is a deep melancholy within this, with emotions let rampant, and a crying guitar that David Gilmour would be proud of. I have found it hard to write the review as I keep stopping just to bask in the splendour of this release.

It may have come out right at the end of the year, but possibly that makes it the perfect Christmas present for the discerning proghead who doesn't know what he/she is missing out on? They riff when they need to, and there is so much space within the layers that the proverbial truck could waltz right through, while the rhythm section not only when to crunch into life, but also when to sit quietly drinking their caf' au lait, and let the two guys at the front create some real magic. Album of the year? Well, there have been some great releases and I would have to go back and play them all to be sure. But, easily in my Top Ten and I have reviewed nearly 600 in 2017. Wonderful, amazing, indispensable, and if you enjoy any of the bands listed above then you simply have to get this

An album that fans of late 70's Pink Floyd should take note of and check out at some point.  If you liked this album check out And Life Goes On (Remastered 2024)


Forces, Reactions, Deflections (quiet details 40)

by Scanner


Credits:
FreeForm Radio thanks Alex for a complimentary copy of this release
Music by Robin Rimbaud
Mastered by Alex at quiet details studios
Artwork by quiet details in collaboration with Robin Rimbaud
Design by quiet details
© quiet details 2025 all rights reserved

Elated to welcome one of the most enduringly creative and boundary-pushing artists of the last few decades to quiet details, Robin Rimbaud, otherwise known as Scanner.


A towering figure in the worlds of music, sonic and visual art, dance, installation and a myriad of other disciplines - Robin has covered a huge amount of artistic ground since his earliest forays into our consciousness in 1991.

From countless albums and projects as a solo artist and in many collaborations, including the likes of Brian Ferry, Michale Nyman, Steve McQueen, Stella McCartney, Laurie Anderson and Hussein Chalayan, and Pauline Oliveros; to the first Sound Art commission at the Tate Modern London; scoring a dance piece for the UK Olympics; the list of his critically-acclaimed achievements goes on and on.

At the core of his work is always a deep curiosity, the ability to make cognitive leaps into the creative unknown and fashion something beautiful - it’s with this sense of wonder he’s made something truly incredible for quiet details.

The album is a stunning sonic exploration of the world around him, another fundamental element running through his work - realising the majesty contained within structures that has always been there, now brought to life.

As Robin says:

This album is forged entirely from the resonant clangs, echoes, and whispers of a stainless steel staircase at home, transforming everyday architecture into an unexpected orchestra.

By coaxing rhythm, tone, and atmosphere from the metallic body of a staircase, the work reimagines movement between floors as a passage through sound.

No synthesisers were used in the creation, only the natural sound of the staircase using a geophone seismic microphone and the gentle assistance of the occasional resonant filter and sample software.

This has led to an album of enveloping beauty - highly textured drones meet distant pulses; metallic fragments merge with hauntingly evocative melody. Physical architecture translated to harmonic structures in the most breathtaking way imaginable.

There’s so much to admire here - from the beauty of the original recordings to the highest level of craft to turn them into something so musically engaging - a true masterpiece from one of our finest artistic minds.

Huge thanks to Robin for being part of the series.

The artwork was made as always influenced by the music and idea behind the album - originating from a photo from Robin which was then captured with analogue photography and processed here at quiet details studios.

As usual, the album is presented on the physical edition, a custom six-panel digipack with a separate fine art print too.

The CD also has a special long-form continuous mix of the album, created by the artist and representing the music in its purest form.

scanner.bandcamp.com 
 

credits

released October 1, 2025
In Hellraiser, Barker introduced a world in which reality fractures under the weight of forbidden desire. The puzzle box – the Lament Configuration – is both a gateway and a warning, opening a portal to a dimension ruled by the Cenobites, beings who transcend the binary of agony and ecstasy. The film challenged conventional horror by embedding philosophical and existential questions within its gore-soaked narrative: What lies beyond the threshold of human experience? Can suffering be a form of transcendence? Is pleasure meaningful without pain?
Codex Of Pleasure And Pain. A Sonic Tribute to Clive Barker’s Hellraiser is a dark sonic journey inspired by one of the most iconic and disturbing visions in modern horror cinema. Drawing from the imagery, themes, and atmosphere of Clive Barker’s Hellraiser (1987), this compilation assembles 11 projects from the dark ambient, experimental, and post-industrial scenes to create an immersive experience that echoes the film’s haunting exploration of pain, pleasure, and the limits of human sensation.
The artists in Codex Of Pleasure And Pain offer abstract, oblique responses to its aesthetic and philosophical implications. The compilation functions as a sonic codex, an aural grimoire of sorts, where each piece contributes to a broader cosmology of the Hellraiser universe.
The release is accompanied by a printed volume of original short stories, also inspired by Clive Barker’s universe and the themes of Hellraiser, offering a powerful literary counterpart to the music.
 

credits

releases October 16, 2025

REVIEWS

Avant Music News
avantmusicnews.com/2025/10/04/amn-reviews-various-artists-codex-of-pleasure-and-pain-a-sonic-tribute-to-clive-barkers-hellraiser-2025-eighth-tower-records/

Bizzarrechats
bizarrechats.blogspot.com/2025/10/codex-of-pleasure-and-pain-tales-music.html

FreeForm thanks Raffaele Pezzella (Sonologyst) for a complimentary copy of this release
Curated and mastered by Raffaele Pezzella (Sonologyst).
Published by Eighth Tower Records.
Layout by Matteo Mariano.
Cat. Number ETR066.
© 2025. All rights reserved.

08 August 2023: DiN iNDEX 08 (DiN80); Vyormouth

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Please support FreeForm Radio and KMXT by going to KMXT.org and pledging your support - 

You can still support the Spring Fund Drive: Donate Now!

The music you hear on tonight's show is available on the artists' Bandcamp pages and websites. (links below) 

We urge you to support the musicians you hear on FreeForm Radio.

I also host the Rural Electric (Mostly) Country Music show Tuesday from 7-9 pm ADT 

This week's Rural Electric theme is "small towns".

 

 

iNDEX08 is the eighth DiN compilation album and includes two tracks each from the titles
DiN71 - 79. The artists on show this time are Polypores, Scanner, Ian Boddy, d’Voxx, 
Parallel Worlds, Surface 10, Node and Lyonel Bauchet as well as a collaboration between 
Ian Boddy & Erik Wøllo.

As with the previous seven DiN samplers label boss Ian Boddy has mixed and cross-faded the 18 tracks into a continuous ambient mix that not only showcases the albums featured on the release but presents an exciting and varied title in its own right. It also highlights the varied and intriguing music that the DiN label offers on its releases from deep analogue synth grooves through vibrantly melodic instrumentals to powerful, epic ambient atmospheres. An intoxicating mix of the old and new beautifully presented in a slimline cardboard wallet with an extra flap which just adds to the value and collectibility of this release.

With a total release catalogue now of 118 titles the DiN label is continuing to innovate and evolve as it heads toward 2024 when it will celebrate 25 years of releasing quality instrumental electronic and ambient synth music.

credits

Our thanks to Ian Boddy for providing us with a copy of this release.

released July 21, 2023

This compilation edited from the original tracks by Ian Boddy - April 2023.
 

 
Liminal spaces refer to transitional or in-between areas that exist on the threshold between two distinct states or environments. These spaces are characterized by ambiguity, uncertainty, and a sense of being neither here nor there. Liminality can be experienced physically, such as in doorways, corridors, or airports, as well as psychologically, in moments of transition or transformation. The concept of liminality was originally developed by anthropologist Arnold van Gennep and later expanded upon by anthropologist Victor Turner. They used it to describe the middle stage of a rite of passage, where individuals are neither fully part of their old identity nor fully integrated into their new identity. However, the concept of liminality has since been applied more broadly to various aspects of human experience, including physical spaces. Liminal spaces often evoke a sense of unease or strangeness in people. This feeling can be attributed to the psychological phenomenon known as the uncanny. The uncanny refers to something that is familiar yet strange, ordinary yet unsettling. It is a state of cognitive dissonance that arises when we encounter something that challenges our expectations or blurs the boundaries between the known and the unknown. In liminal spaces, the uncanny can manifest in different ways. The ambiguity of these spaces can create a sense of disorientation and make us question our perceptions. The absence of clear markers or familiar cues can lead to a feeling of being lost or disconnected. Additionally, the transitory nature of liminal spaces can evoke a sense of anticipation or suspense, as we await what lies ahead or reflect on what we have left behind.
Vyormouth music is a clear manifestation of music as representation of liminal spaces, both physical as well as psychological. Listening to the long tracks of the album “Liminal Spaces” we experience a state of mental disorientation in which our brain not only perceives the ambiguity of slow transitions and potential eerie apparitions, but also reflects about our own identity as part of an uncertain reality. ZeroK is proud to present the mysterious and unsettling debut album of Vyormouth.
 

credits

Our thanks to Raffaele Pezzella for providing us with a copy of this release.

released July 20, 2023

Music by Vyormouth
Published by ZeroK
Mastered by Raffaele Pezzella (Sonologyst)
© 2023. All rights reserved

 

27 March 2018: Ian Boddy et al (DiN:TS01) & The California Guitar Trio



1.


2.
09:02


3.
07:41


4.


5.
06:13


6.


7.


8.
09:38


9.
07:59

From the DiN Bandcamp page:    DiN was initially set up in 1999 by well known UK synthesist Ian Boddy to bridge the gap between the analogue music of his heritage and the emerging digital possibilities of the future. This label has always forged it’s own independent path and to date has released 54 physical CD albums as well as 19 download only releases.

Even after being involved in music since the late 1970’s Boddy has continued to explore new sonic territories and in 2016 he released what was probably his most experimental album in “Tone Science” (DiN48). This album comprised five long, slowly evolving self playing compositions realised entirely on his vast arsenal of modular synthesisers. Boddy’s love of the analogue sound has been well documented not only through his own releases but many sound and sample libraries. These instruments all but disappeared in the 1990’s but recent years has seen an unprecedented growth in interest in this form of synthesiser with a proliferation of both module manufacturers and performers using these highly flexible and personal systems.

Thus, inspired by his “Tone Science” release, Boddy has set up this sub-label to feature artists and performers working in the field of modular synthesis. The first release “Module No.1 Structure and Forces” is a compilation album featuring nine artists from different musical backgrounds with the common thread being that all the tracks were composed entirely with a modular synth system.

The album opens and closes with the ambient soundscapes of two tracks by DivKid and Matthew Shaw who run the well respected Modular Podcast. Boddy himself follows the opening track with an extension to his original “Tone Science” album with another aleatoric self playing composition in “Tone 6”. Paul Lawler and Nigel Mullaney are both heavily involved in library music and soundtrack composition and their two multi-layered compositions showcase the cinematic possibilities of the modular synth world. The remaining four tracks are more rhythmic in nature with the beautiful ambient washes of “If Wishes Came True” by Scanner leading into the hypnotic ostinato patterns of “Ghatam” by Richard Scott. French Buchla wizard Lyonel Bauchet ramps up the intensity with an elegantly constructed pulsing track before Chris Carter (Throbbing Gristle) ends the rhythmic proceedings with the grimy, dubby bass powered “Frieze Relief”.

Boddy has curated both the artists and tracks on this album to flow in a musical way and not just be a collection of equipment heavy demos. Though fascinating and always cool to look at, it is important not to get lost in the gear for gears sake syndrome. Having said that this album features Eurorack, Serge, Buchla & Hordijk modular systems and the nine tracks show how varied and flexible these instruments can be.

“Tone Science Module No.1 Structure and Forces” is just the first of what Boddy intends to be a series of releases on this new sub-label featuring artists and musicians working in this ever fascinating and varied musical field.
 

credits

released March 16, 2018

1) DivKid - Natural Minor Sines - 8:05
This track was born from explorations in merging entirely generative, random leaning musical pieces alongside performed interactive sonic excursions. Modular synths provide the perfect playground for merging both disciplines
divkidmodular.com

2) Ian Boddy - Tone 6 - 9:02
This aleatoric self playing composition features my Serge modular and is an extension to my original Tone Science (DiN49) album released in 2016.
www.ianboddy.com

3) Paul Lawler - Virus - 7:43
A complex, organic soundscape with symphonic builds and falls, evolving colours, and strategic spaces in the ambience to draw the listener into this modular and alien world.
www.paullawler.org

4) Scanner - If Wishes Came True - 6:27
Like all my modular compositions this composition was recorded entirely live, combining live radio transmissions with a very hands on performative use of my modular system.
www.scannerdot.com

5) Richard Scott - Ghatam - 6:14
Ghatam is a contemplative percussive piece composed using the Hordijk Modular. I am particularly intrigued with the quasi-acoustic resonant qualities of this instrument which in this track reminds me of a simple Indian clay pot drum, hence the title
richard-scott.net

6) Lyonel Bauchet - Un coq à Esculape - 6:09
This piece uses a combination of my Buchla modular (featuring the 259 Complex Wave Generator) as well as Eurorack systems and Metasonix D1000 for percussion.
lyonelbauchet.bandcamp.com

7) Chris Carter - Frieze Relief - 5:28
A squelchy, dubby live piece featuring Roland System 500 controlled by a Koma Komplex with Tip Top percussion voices & lots of live modular processing and effects.
www.chriscarter.co.uk

8) Nigel Mullaney - Spherfear - 9:39
A composition that started with an abstract emotion, a lament to the fusion of Modular electronic music and the pure tones of orchestral instruments. A dead star adrift in an harmonic sea of binary modulations.
www.nigelmullaney.com

9) Matthew Shaw - Harmonograph - 8.00
Track composed using a 3 panel Serge modular with a Ditto X4 Looper and effects via Bugbrand Crossover Filter, Earthquaker Devices Avalanche Run & OTO BAM.
electricreference.bandcamp.com

Total Time 67:07

Design by Matthew Shaw
matthewdavidshaw.com

Mastered by Ian Boddy 
 
 
February 24, 2018, I had the pleasure of seeing the California Guitar Trio perform at MIM, the Musical Instrument Museum, in Phoenix, Arizona.   The second half of tonight's show is the setlist from that show; it is not an actual recording of that show, but rather a collection of performances of the songs they played that night.