Showing posts with label DiN. Show all posts
Showing posts with label DiN. Show all posts

07 April 2026: Beckett s/t ; Ian Boddy "Drive

 This week begins KMXT's annual Spring Fund Raising Drive!  Please go to www.kmxt.org and pledge your support for our local public radio station!

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The music you hear on tonight's show is available on the artists' Bandcamp pages and websites. (links below) 

                    We urge you to support the musicians you hear on FreeForm Radio 

I am also hosting Rural Electric (Mostly Country Music) from 7-9 pm this week.

 

Beckett were an English progressive rock band formed in Newcastle upon Tyne in 1970. The band released one self-titled album in April 1974 (produced by Roger Chapman, the former vocalist of Family) and disbanded shortly thereafter.[1] Original singer Rob Turner was killed in a car crash and replaced by Terry Wilson-Slesser, who would later go on to perform with Back Street Crawler and then Geordie whose previous front man Brian Johnson left to join AC/DC in 1980. 

Review:

Beckett is simply one of the great lost Progressive Rock albums of the 1970s. These guys only did one album (Well officially that is. Beckett's Bassist Frankie Gibbon sent me an unreleased live album that's very very good.) but what an album it was. A Rainbow's Gold is simply one of the best songs on the 1970s overall. And Rolling Thunder is just amazing. It is a crying shame these guys never got the sales they deserved. But they did get a bit of recognition, due to Iron Maiden's excellent cover of A Rainbow's Gold as a B Side. Beckett's also notable for the fact that their Vocalist, the excellent Terry Wilson-Slesser later went on to sing for Paul Kossoff's Back Street Crawler. 


 

Released in 1991, this was my second CD release on the Surreal to Real label. By this time, I was working for Akai, selling and demonstrating their studio sampling gear. This gave me access to some very nice instruments, and the MPC-60, much loved by the dance fraternity, features heavily in this album’s ultra-tight rhythm grooves. The opening trilogy of tracks (Drive, Ice Horizon, & Alchemy) became a mainstay for my concerts around this time. Two of the pieces feature the electronic wind instrument playing of Julian Maynard-Smith, with whom I briefly formed a trio called Hi-Q (along with David Berkeley). As with other albums from this era, the music is very much focused on melodic, tightly arranged compositions.

There are three bonus tracks from around the same time period, with Disconnect Me being a fun piece with a sampled voice I’m sure some of you will recognise. Both Prodigal & Crimekiller are unreleased demos for a couple of computer games I worked on in the early 1990s.

credits

released March 6, 2026
FreeForm Radio thanks Ian Boddy for a promo copy of this release.
All tracks composed by Ian Boddy, except for Alchemy & Analogagogalog by Ian Boddy & Julian Maynard-Smith and Crucifixus by Antonio Lotti (1667 - 1740) arranged by Ian Boddy.
Produced by Ian Boddy.
Engineered by Skogg.
Programmed entirely onto Atari 1040/Steinberg Cubase at Something Else Studios (Jan - July 91).
Mixed to DAT at Projects UK (Newcastle) Aug. 91.
Digitally edited on Akai DD1000.
Cover by Gary Scott.

Remastered for this edition in February 2026 by Ian Boddy.

THE PLAYERS
Ian Boddy :- Akai S1000, S950 & MPC-60. Roland D550,
MK530 & SPD-8. Korg Wavestation & Yamaha TX416.
Julian Maynard-Smith :- Yamaha EX11 Wind Instrument playing
Akai S950 & Korg Wavestation.
David Berkeley - Korg WS-1 & M1 EXR Programming.

23 September 2023: Tone Science Module No.10 The Final Patch (DiN:TS10)

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The music you hear on tonight's show is available on the artists' Bandcamp pages and websites. (links below) 

We urge you to support the musicians you hear on FreeForm Radio. 

KMXT will be broadcasting the Kodiak Island Borought Candidate Forum from 6 pm to 9 pm.

Tone Science Module No.10 The Final Patch (DiN:TS10)
Tone Science sub-label, from DiN records, concludes its exploration of the world of modular synth music.

Since the first volume in the Tone Science series was released in 2018, seventy-two musicians in total have joined in with this celebration of the musical possibilities of modular synthesis. These artists have been from a huge range of backgrounds but have all shared the unifying purpose of showcasing the incredible variety of sonic possibilities these instruments can offer.

The intervening seven years have seen the modular synth world expanding at an exponential rate and whilst one wouldn’t go so far as to say these synths are mainstream, they are certainly far more prevalent than in the past. It’s especially gratifying to see so many musicians now either play solo sets with them or to include them in their onstage arsenal.

Thus we come to this, the final instalment in the Tone Science series. Nothing lasts forever and certainly stopping at this nice round number of ten seems like a good way to not only end the series but to release the Final Patch, a real celebration of what has gone before and perhaps to hint at what is possible for the future. A beautifully packaged double CD featuring twenty artists who have appeared on previous iterations of the series, it really is a who’s who of modular synth musicians. The release is accompanied by an eight-page booklet with an essay by Neil Mason and some final words from the guiding force behind the whole project, Ian Boddy, label boss at DiN. And as Boddy so succinctly puts it in his liner notes, “for me, despite the technological nature of the equipment, the emotional quality of the music is the single most important factor”. The Final Patch certainly delivers on that ethos. 

credits

released September 19, 2025

1) Andrea Cichecki - When Water Feels Like Rain - 7:36
‘When Water Feels Like Rain’ captures the essence of the quiet power to embrace the storm and leave old memories behind.
andreacichecki.com

2) Field Lines Cartographer - Sastrugi - 6:56
Polar winds scour and etch the frozen landscape into beautiful, otherworldly snow dunes. Realised using ARP 2600, various Eurorack & Bugbrand format modular synthesisers.
fieldlinescartographer.bandcamp.com

3) Benge - Network of Continuations - 6:00
Four interconnected modular systems: Emu, Modcan, Serge & Arp 2500, making a network of continuations (sequences), inspired by Duchamp’s randomised Stoppages. For more Cybersynthesis, watch 'The Memetune Programme’.
youtube.com/@memetunestudio

4) Bluetech - Azurite Waterfalls - 5:51
Azurite Waterfalls’ is an exploration in controlled randomness which began by wavefolding sine oscillators to evoke a shifting textural organic bed for melodic synths to cascade over.
bluetechonline.com

5) Ian Boddy - LCM360 - 6:18
Interlocking sequences of 5, 8 & 9 steps which have a least common multiple of 360. Performed on a Eurorack system with added randomness from a pair of AJH/Tone Science Chance Delays.
ianboddy.com

6) Swansither - Fata Morgana - 6:46
A distorted illusion caused by light bending through varying air densities. These castles in the sky were once believed to be magic, cast by Morgan le Fay.
swansither.bandcamp.com

7) Paul Nagle - Ingordigiousness - 8:33
Out of the primordial soup, life emerged and began its remarkable journey. Everything was going splendidly . . . then something happened.
paulnagle.bandcamp.com

8) Parallel Worlds - Morning Walk - 5:30
Just a morning walk... with a clear mind... and no dark thoughts... This track was created with my Eurorack modular walls.
facebook.com/parallelworldsmusic

9) Nigel Mullaney - Stalked - 5:38
Composed to commemorate the musical luminaries who have inspired me, ‘Stalked’ is a tribute to those who have sadly moved on, leaving an indelible mark on the world of music.
nigelmullaney.com

10) Accumulations - Todd Barton - 5:51
This is a live improvisation with the Buchla Music Easel and a TC Electronics looper.
toddbarton.com

11) Panic Girl - Between the Shadows - 6:50
This track, created mainly on a Buchla Music Easel, is about those moments in life when everything changes in an instant.
www.panic-girl.com

12) Lyonel Bauchet - A Quiet Sun - 8:31
Every time I return to it, I'm amazed at the magnificent palette of colours this machine can generate. Buchla Modular Electronic Music System, only and all for this piece.
lyonelbauchet.bandcamp.com

13) Chris Carter - Hypnagogic - 6:52
Recorded live on my modular ‘Hypnagogic’ was inspired by the Ian Hodgson and Delia Derbyshire soundtrack for the film Hell House. Whilst watching this the other night I fell asleep... weird dreams ensued.
chriscarter.co.uk

14) Sarah Belle Reid - Critical Points - 5:28
Critical Points explores sudden transformations in energy, timbre and density through chaotic feedback patching and nonlinear waveshaping techniques. The piece was created using a Gaston Nonlinear Dynamics modular system.
sarahbellereid.com

15) Hainbach - From The Thaw - 2:46
A celebration of the pure oscillations of ancient test equipment and the Synton Fenix 2 PP.
hainbach.bandcamp.com

16) Batchas - How Are You? - 4:00
For the past three years, after neck surgery, I've never answered “I'm fine” when asked how I'm doing. When I did this piece, I said to myself, “finally I'm okay!”
batchas.bandcamp.com

17) Polypores - Feelers - 6:05
Exploring repeating cyclical melodies and unsynced rhythms with slightly different BPMs. Repetition gives the impression of order but the percussion sometimes stumbles and everything falls apart.
polypores.bandcamp.com

18) Scanner - Banana, Designation - 8:32
The joy of working with modular for me is the unknown, and once again, here the machines dictate where they wish to go. I’m merely their humble cable assistant.
scannerdot.com

19) d’Voxx - Diagonal - 9:28
A cinematic sonic opus of tension and intrigue, where North African echoes weave through immersive electronics, evoking the pulse, mystery, and untamed energy of Barcelona’s labyrinthine streets and hidden corners.
dvoxx.com

20) Nathan Moody - Spent - 6:16
This exploration uses aleatoric layering, whereby each layer has structure but they are not synced to each other. Chords constantly shift and evolve, harmonically related but unpredictable. 
nathanmoody.bandcamp.com

13 August 2024: Ian Boddy & Dave Bessell - Polarity (DiN87); James Bernard - Only Now (quiet details 21)

Be sure to follow KMXT FreeForm Radio on Facebook and Bandcamp.  

Please support FreeForm Radio and KMXT by going to www.KMXT.org and pledging your support.

The music you hear is available on the artists' Bandcamp pages, websites, and Spotify

We urge you to support the musicians you hear on FreeForm Radio. 
 
I am also hosting Rural Electric (Mostly) Country Music from 7-9 pm right after the Island Messenger

 

Ian Boddy & Dave Bessell - Polarity (DiN87)

With the DiN label celebrating its 25th anniversary it’s perhaps important to remember that one of the founding principles of the imprint was to encourage musical collaborations between different artists. Indeed label boss Ian Boddy has previously collaborated with eight separate musicians, including such luminaries as Robert Rich, Erik Wøllo, Chris Carter, Markus Reuter and Mark Shreeve (as ARC). Thus when the UK based Awakenings electronic music concert series invited Boddy to perform a gig alongside Dave Bessell an opportunity arose for a new, untried musical collaboration.

Bessell of course is no stranger to followers of DiN records with his solo work, albums alongside Parallel Worlds and his part in synth supergroup Node. Both artists played solo sets before joining forces for a stunning 60 minute joint performance. This album features the latter set which is split into two longer sections followed by their ambient encore.

Opening proceedings with retro abstract synth meanderings it’s not long before Boddy’s signature Ondes voice shines through the gloom and a calm, gentle section sees Bessell join in with the beautiful tones of his Aum guitar. After a brief ambient interlude Boddy begins to build a wall of sequencers brick by brick with Bessell soloing on Minimoog before the music all comes crashing back down to the eerie tones that started this set.

The second piece begins with unusual, piquant harmonic progressions from Bessell overlaid with pizzicato percussion. There follows a lengthy, extended sequencer session which is again meticulously constructed by Boddy and his arsenal of modular synths. Whilst Bessell provides an arc of ever rising chordal pads Boddy continuously twists and turns the ostinato patterns as this section rises to a monumental sonic climax.

Following such hectic, rhythmic textures the duo opt for a gentle, blissful encore with each artist improvising against each other with warm, analogue chords and pads.

Polarity again shines a light on the wonderful opportunities collaborations can offer, especially in a live performance where each artist has to not only play but also listen to, and respond to the other performer.
 

credits

releases August 16, 2024
Our thanks to Ian Boddy for providing us with a copy of this release.
Performed by Ian Boddy & Dave Bessell at the Awakenings, Lea Hall Pavilion, Rugeley on 25th November 2023.
Mixed and mastered by Ian Boddy April 2024.

Thanks to the Awakenings team:
Phil Booth - coordination & sound
Dave Buxton - raconteur
Jez Creek - projections
awakenings-em.co.uk

Ian Boddy plays:
Eurorack modular
Moog Matriarch
Buchla Easel Command
Analogue Systems French Connection
Make Noise 0-Coast
Novation Summit
Ex-Friend Synth
Analogue Solutions Generator sequencer

Dave Bessell plays:
Alesis Andromeda
Minimoog & Moog Sub 37
Osmose
Vermona Perfourmer
Deepmind 12
Behringer TR9
Eurorack modular
Engine sequencer
Gibson Les Paul & Aum guitars
Jam Origin MIDI Guitar 2

license

all rights reserved
 
Mastered by Alex at quiet details studios
Artwork by quiet details in collaboration with James Bernard
Design by quiet details

Extremely pleased to say that next up with their interpretation of quiet details is the wonderful James Bernard.

Since the 90s James has been responsible for some of the most beautiful and inspirational music around, crossing genres and always having a firm footing in the most ethereal of spaces.
Starting with the hugely influential album, Atmospherics on Rising High Records, James has continued to evolve in the thirty years he has been honing his craft.
Many self-releases and on leading labels such as A Strangely Isolated Place and Past Inside the Present, in addition to his work as a mixing/mastering engineer, have led to James being considered one of the leading lights in modern ambient music.

Only Now shows exactly what James is about in this moment in time. Stunningly beautiful waves of bliss undulate across each track - layers of delicate synthesisers and electro-acoustic textures so carefully constructed.

Using a range of carefully chosen sound sources, from electric bass to a vintage 303, cutting-edge digital synths, granular devices and pedals - he draws out magical soundscapes full of intuition and emotion.

As he says:
“most of these compositions are live improvisations using a single instrument source, performed and captured in one take incorporating sound on sound looping techniques
they have been recorded in different locations, including remote areas of the Los Padres National Forest in California (as you can hear in some of the field recordings)”

You can hear all the years of experience flooding out of the music, the patience and confidence in allowing things to bloom in their own time creates a feeling of euphoria mixed with pure serenity.

There’s a constant flow of meditative calm as the album drifts ever forward, this is music for contemplation and reflection - realised in the most gorgeous way by a master of his craft.

It’s evident from the music this is beautifully conceived, as it is from James’ words:

I find my center in the creation of improved musical motifs
exploring different themes, guiding them and shaping them
listening to them in wonder as they slowly morph, evolve 
and form into something that is enigmatic
something that speaks into music, the words that can be elusive

this album would not have been possible without the love and support of one amazing woman, my wife cynthia

A breath-taking album of peaceful beauty, so pleased to share it with you.
Huge thanks to James for everything, a wonderful addition to the series.

The artwork was made as always influenced by the music and idea behind the album - originating from a photo from James which was then captured with analogue photography and processed here at quiet details studios.
As usual, the album is presented on the physical edition, a custom 6-panel digipack with a separate fine art print too.

The CD also has a special long-form continuous mix of the album, representing the music in its purest form.

jamesbernard.bandcamp.com
 

credits

Our thanks to Alex for providing us with a copy of this release.

released July 31, 2024

copyright © quiet details 2024
all rights reserved

license

all rights reserved

18 June 2024: Field Lines Cartographer; Protogonos

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The music you hear on tonight's show is available on the artists' Bandcamp pages and websites and Spotify

We urge you to support the musicians you hear on FreeForm Radio. 

                           Portable Reality Generator (DiN85)

Mark Burford, aka Field Lines Cartographer, is one of the new generation of musicians crafting original sonic worlds in electronic music using primarily modular synths. He has garnered quite a reputation both for his live performances as well as a series of releases on labels such as Castles In Space, Quiet Details and Woodford Halse. He has also appeared on a couple of the Tone Science albums, most notably Volume 8, which was the Tone Science Live event from last year. Thus the time seemed right to invite Mark to create a long form solo release on the DiN imprint.

What is particularly fascinating is that Burford seems to channel the Kosmische Musik vibe of early Tangerine Dream without actually trying to copy their style. His music just seems to end up in a similar sound world but via a completely different path. In his words; “I’ve always loved how music creates new worlds -  imaginary environments you can live in. As a listener you become immersed in a new reality for the duration of an album. Fully enveloped by textures, melodies, harmonies and rhythms, new pictures appear in the minds-eye, new dreams … strange & beautiful landscapes sketched in sound. An alternate, portable reality.”

With a running time of nearly 70 minutes this is exactly what FLC achieves on this beautiful album. From the opening gentle undulations of ‘The Sun In Splendour’ the music is both familiar and yet strangely different. The epic, almost 20 minute piece, ‘Collapsable Mantra’ flirts with Berlin School sequencing but adds something new and fresh to the mix. The music has time and space to gently unfold, to grow organically where texture and harmony become one before finally coming to rest on the shimmering shoreline of the final track ‘Interference Patterns’.

As DiN is celebrating its 25th anniversary it’s really satisfying to be able to give such talented artists as Field Lines Cartographer a platform from which to spread the word about their fine music.
 

credits

Our thanks to Ian Boddy for providing us with a copy of this release.

releases June 21, 2024

All music performed and recorded by Mark Burford using ARP2600 and Eurorack modular synthesisers.

Mastered by Ian Boddy.

Special thanks to Ian and Wendy at DiN for inviting me along.

Instagram:  field_lines_cartographer 
X: @FLCartographer
Bluesky: @flcartographer.bsky.social

license

all rights reserved
 
 
A collection of tracks from the last forty [gulp!!] years of Protogonos. Some were unfinished but have been completed for this collection. Some were published in other compilations.

credits

released September 1, 2023

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26 December 2023: The Very Best of FreeForm Radio 2023

Be sure to follow KMXT FreeForm Radio on Facebook and Bandcamp.  

Please support FreeForm Radio and KMXT by going to KMXT.org and pledging your support.

The music you hear on tonight's show is available on the artists' Bandcamp pages and websites. (links below) 

We urge you to support the musicians you hear on FreeForm Radio. 

I will also be hosting "The Best of Country Music 2023" on the Rural Electric show 

right after the Island Messenger at 7 pm until 9 pm.  

Best of FreeForm 2023 Spotify Playlist               The Best of Country Music 2023 Spotify Playlist

 The Very Best of FreeForm Radio 2023

Kurt Michaels 

Album: Stones From the Garden 

"Trouble", "Relax...Nothing's Under Control"

Gayle Ellett & the Electromags 

Album: Friends  

"Viewer Discretion Advised"

Subsignal 

Album: A Poetry of Rain 

"A Poetry of Rain", "The Art of Giving In"

The Fierce & the Dead 

Album: News From the Invisible World 

"Non-Player", "Golden Thread"

Dengue Fever 

Album: Ting Mong 

"Over the Handlebars", "Touch Me Not"

Bruce Soord 

Album: Luminescence 

"Instant Flash of Light", "Never Ending Light"

Tu-Ner 

Album: T-1 Contact Information 

"On the Other Side"

 RPWL 

Album: Crime Scene 

"Life in a Cage"

Jethro Tull 

Album: RokFlote 

"Voluspo"

Yes 

Album: Mirror to the Sky 

"Mirror to the Sky"

Benge 

Album: The View From Vega 

"The View From Vega, Part IV"

Ian Boddy 

Album: Modulations III 

"Boddy Love"

Steven Wilson

Album: The Harmony Codex

"The Harmony Codex"

 Sonologyst

Album: Shortwave Spectrum

"Spectrvm"


12 September 2023: Polypores; Parallel Worlds; Tribute to Mark Shreeve

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Please support FreeForm Radio and KMXT by going to KMXT.org and pledging your support -  Donate Now!

The music you hear on tonight's show is available on the artists' Bandcamp pages and websites. (links below) 

We urge you to support the musicians you hear on FreeForm Radio.

 


Stephen James Buckley aka Polypores returns for his second full album on the DiN imprint following on from his 2022 debut “Hyperincandescent” (DiN71):     Multizonal Mindscramble (DiN81)

Though we’ve come to know a wide range of sounds from Polypores, it’s here on “Multizonal Mindscramble” that we get plunged into the outer reaches of the inner psyche. Flickering insectoid transmissions are laid atop slowly shifting walls of drifting oscillators, barely discernible chirps and static-encrusted filter sweeps. There are moments of undeniable melodic bliss amongst the warm, weightless transmissions though, with soaring arpeggios and covert counter-melodies emerging from the fog and coalescing into perfect harmony before fading once again into the ether. The slow intricate weaving of sounds and timbres has become a Polypores trademark, and once again the fluidity and ease with which Buckley moves between sound-worlds is evident on this new album. The organic textures morph and grow, from a syncopated glitching oscillator through to slow swells of synth and spacey, cavernous reverb. Like a languid walk through the forest, while you gradually melt through the earth and into the soil.

A perfectly balanced textural odyssey, and a stunning example of the depth and breadth of the Polypores sound “Multizonal Mindscramble” is released both as a 180g Vinyl edition and a Digipak CD with stunning artwork from Wendy Carroll that matches the music perfectly. 

credits

releases September 15, 2023
Thank you to Ian Boddy for the promotional copy of this release.
Written, performed and pieced together by Stephen James Buckley, Summer 2022.
Mastered by Ian Boddy December 2022.

Instruments:
Eurorack modular synthesizer including modules by Make Noise, Intellijel, Joranalogue, WMD, Doepfer and Mutable Instruments.
1010 Lemondrop granular synth
Arturia Keystep keyboard / arpeggiator
OTO BAM reverb

Thanks to:
Ian & Wendy at DiN for making this happen.
Robert Anton Wilson for inspiration.
Helen for seemingly endless support.

Dedicated to Violet.

 


Anne Jackson The artistic brilliance of Bakis Sirros reverberates across every track of this album, epitomizing his mastery in crafting dark ambient music that evolves through a seamless flow of mesmerizing soundscapes, delivering an unparalleled auditory journey. Favorite track: Shimmering Waters.
selfoscillate thumbnail
selfoscillate Another great release by Bakis Sirros, who once again shows that he is a true master of the modulars. His trademark sound and songwriting is perfectly displayed on this album. Music that could come directly from a sci-fi movie soundtrack. Favorite track: Applied Maths.
mamonulabs thumbnail
mamonulabs a unique blend of gentle electronica and lush ambience. It is a perfect backdrop for quiet introspection ... where layered sounds, modulated synths, and subtle percussion envelop the listener into a cocoon of ethereal soundscapes Favorite track: Tension.
 
Artist: Parallel Worlds
Release: Applied Maths
Type: Album (Vinyl,CD,Tape Digital)
Genre: IDM, Ambient, Experimental
Year: 2023
Catalog number: UMFT025
Label: Móatún 7

moatun7.bandcamp.com/album/applied-maths

Free or 'name your price' the first two days

machines used:
Buchla modular, Eurorack modular, Korg opsix, Roland JD-08

credits

released July 27, 2023
Our thanks to Bakis Sirros for providing us with a promotional copy of this release.
Written by Bakis Sirros
Design by Mason Verger
Mastered by Árni Grétar
(p) (c) Móatún 7 2023

license

all rights reserved
 
If time permits, we will hear a couple tracks from 

BERLIN - A Tribute Album for Mark Shreeve

We will be featuring the entire release in an upcoming FreeForm show.
 
This Tribute Album, and this accompanying booklet, are expressions of respect, love, and acknowledgement for Mark Shreeve and the value he brought to the world of electronic music through his unswerving passion and talents. All artists featured on the album have generously donated their music, previously unreleased, and in most cases their tracks were written specially for this album, except for tracks written by Mark himself, which were also never previously released. This album is a charity fundraising project where all profits go directly to furthering their important work in saving people’s lives.

Mark was a dedicated creator and performer of music and has left a rich legacy of compositions which are widely appreciated in the world of electronic music. The accompanying forty-three-page colour booklet includes track/artist information, Mark’s career, discography, written tributes from many people who were impacted by Mark’s contribution... and more. The booklet automatically downloads alongside the audio files. We hope you enjoy the music and this booklet and thank you for supporting cancer research by purchasing this celebratory album.

Julian Shreeve

credits

released August 2, 2023

All tracks composed, played, recorded & produced by contributing artists: Redshift, Ode, Radio Massacre International, Jasun Martz, Oscillator_three, [‘ramp], Ian Boddy, David Wright, Ashok Prema, Air Sculpture, ARC, The 5th Manikin, Chuck Van Zyl, Ron Boots, Wavestar II, and Mark Shreeve.

license

all rights reserved

 

 

08 August 2023: DiN iNDEX 08 (DiN80); Vyormouth

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Please support FreeForm Radio and KMXT by going to KMXT.org and pledging your support - 

You can still support the Spring Fund Drive: Donate Now!

The music you hear on tonight's show is available on the artists' Bandcamp pages and websites. (links below) 

We urge you to support the musicians you hear on FreeForm Radio.

I also host the Rural Electric (Mostly) Country Music show Tuesday from 7-9 pm ADT 

This week's Rural Electric theme is "small towns".

 

 

iNDEX08 is the eighth DiN compilation album and includes two tracks each from the titles
DiN71 - 79. The artists on show this time are Polypores, Scanner, Ian Boddy, d’Voxx, 
Parallel Worlds, Surface 10, Node and Lyonel Bauchet as well as a collaboration between 
Ian Boddy & Erik Wøllo.

As with the previous seven DiN samplers label boss Ian Boddy has mixed and cross-faded the 18 tracks into a continuous ambient mix that not only showcases the albums featured on the release but presents an exciting and varied title in its own right. It also highlights the varied and intriguing music that the DiN label offers on its releases from deep analogue synth grooves through vibrantly melodic instrumentals to powerful, epic ambient atmospheres. An intoxicating mix of the old and new beautifully presented in a slimline cardboard wallet with an extra flap which just adds to the value and collectibility of this release.

With a total release catalogue now of 118 titles the DiN label is continuing to innovate and evolve as it heads toward 2024 when it will celebrate 25 years of releasing quality instrumental electronic and ambient synth music.

credits

Our thanks to Ian Boddy for providing us with a copy of this release.

released July 21, 2023

This compilation edited from the original tracks by Ian Boddy - April 2023.
 

 
Liminal spaces refer to transitional or in-between areas that exist on the threshold between two distinct states or environments. These spaces are characterized by ambiguity, uncertainty, and a sense of being neither here nor there. Liminality can be experienced physically, such as in doorways, corridors, or airports, as well as psychologically, in moments of transition or transformation. The concept of liminality was originally developed by anthropologist Arnold van Gennep and later expanded upon by anthropologist Victor Turner. They used it to describe the middle stage of a rite of passage, where individuals are neither fully part of their old identity nor fully integrated into their new identity. However, the concept of liminality has since been applied more broadly to various aspects of human experience, including physical spaces. Liminal spaces often evoke a sense of unease or strangeness in people. This feeling can be attributed to the psychological phenomenon known as the uncanny. The uncanny refers to something that is familiar yet strange, ordinary yet unsettling. It is a state of cognitive dissonance that arises when we encounter something that challenges our expectations or blurs the boundaries between the known and the unknown. In liminal spaces, the uncanny can manifest in different ways. The ambiguity of these spaces can create a sense of disorientation and make us question our perceptions. The absence of clear markers or familiar cues can lead to a feeling of being lost or disconnected. Additionally, the transitory nature of liminal spaces can evoke a sense of anticipation or suspense, as we await what lies ahead or reflect on what we have left behind.
Vyormouth music is a clear manifestation of music as representation of liminal spaces, both physical as well as psychological. Listening to the long tracks of the album “Liminal Spaces” we experience a state of mental disorientation in which our brain not only perceives the ambiguity of slow transitions and potential eerie apparitions, but also reflects about our own identity as part of an uncertain reality. ZeroK is proud to present the mysterious and unsettling debut album of Vyormouth.
 

credits

Our thanks to Raffaele Pezzella for providing us with a copy of this release.

released July 20, 2023

Music by Vyormouth
Published by ZeroK
Mastered by Raffaele Pezzella (Sonologyst)
© 2023. All rights reserved

 

18 April 2023: Tone Science Module No.7 Cause and Effect (DiN:TS07); Algarnas Tradgard; Helecho Experimentar

 

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Tone Science sub-label, from DiN records, continues to explore the world of modular synth music with Tone Science Module No.7: Cause and Effect.

Following the success and critical acclaim of the first six Tone Science compilation albums, 
DiN label boss Ian Boddy has collated another nine tracks from musicians of varying backgrounds working in the realms of modular synthesis.

One of the things that is so delightful about artists working with modular synthesisers is the sheer variety of styles on show. These instruments more than any other can be personalised for each musician who can then express themselves within their own sonic world.

This volume starts with a pair of beautiful, texturally detailed sequenced tracks “Abalone Vortex” 
by Andrea Cichecki and “Tempestarius” by Chris Meyer which form a natural pairing that create a melodic, calm opening.

“Dim Rill” by Rodent enters a more mysterious zone with mesmerising bell like tones that bounce around in the stereo field before yielding to the rising harmonic motif of “Flutter” from Dark Sparkler that promises resolution but ultimately falls back into mystery.

The mid-point of this volume sees Blakmoth take the music sonically into a very deep, dark place with a huge slab of dread that is “Of Ash And Sorrow”. Counterbalancing the first four tracks it sets up the audio space for the remainder of the album.

The next three pieces see a more heavily sequenced space emerge with definite echoes of the Berlin School ethos that was instrumental in inspiring so many modular synth artists. No more so than on “Pareidolia” by Brendan Pollard with its groaning, spring reverb clatter in its opening that gradually coalesces into a throbbing analogue bass line. “Hecataea” by Andrew Ostler and
“A Hopeless Momentum” by James Cigler complete this trio of sequenced tracks with varying layers of complexity and harmonic exploration.

The album floats away into space as it closes with the track “Near Earth” by Jon Palmer. Inspired by the weird and wonderful abstract sounds on the long wave radio band this impressionistic soundscape fades to an eerie signal mournfully calling in the void.

“Tone Science Module No.7 Cause and Effect” continues the journey down the rabbit hole of possibilities and sound worlds inhabited by artists and musicians working in this ever fascinating and varied musical field.
 

credits

releases April 21, 2023

Andrea Cichecki - Abalone Vortex - 7:39
The Abalone gemstone is said to be healing, have soothing powers and to relieve anxiety or stress. It promotes compassion, love and can help in emotional times.
andreacichecki.com

2) Chris Meyer - Tempestarius - 7:30
The Tempestarii were magicians who could summon storms at will. This track gave me the opportunity to blend my Berlin School roots with my current Tribal Ambient pursuits.
aliaszone.com

3) Rodent - Dim Rill - 5:15
In the woods of the Pisgah, moving in and upstream, only the last lights of the day are with me. My wet steps drown out the thoughts of home.
instagram.com/rodent516

4) Dark Sparkler - Flutter - 6:45
This is a stormy shipwreck of a patch, with siren calls and turbulent water. It eventually gets washed ashore.
darksparkler.bandcamp.com

5) Blakmoth - Of Ash And Sorrow - 6:30
A strain about pain, a constant like darkness that consumes everything. Hope is a flame pushing back at the darkness. It burns until only soot remains.

blakmoth.bandcamp.com

6) Brendan Pollard - Pareidolia - 8:23
A Berlin School inspired study in perception of cyclical variation utilising a large 5U modular system and sequencer units.
brendanpollard.bandcamp.com

7) Andrew Ostler - Hecataea - 7:23
Three aspects of modular - drones, sequences, and audio processing - all wrapped around a bespoke tuning (7/6, 6/5, 4/3, 3/2, 9/5, 20/11, 2/1).
andrew-ostler.bandcamp.com

8) James Cigler - A Hopeless Momentum - 8:30
A relentless chain of days, always evolving, yet, always feeling the same. A treadmill instead of untrodden land. But look back. We have traveled a long way.
youtube.com/jamescigler

9) Jon Palmer - Near Earth - 6:40
Until recently, the bottom end of the longwave radio band was full of beacons and other signals producing a weird, slightly melancholy soundscape. The unspoken voices of the Earth. 

ambient andrea cichecki andrew ostler blakmoth brendan pollard chris meyer dark sparkler em electronic electronic music electronica james cigler jon palmer rodent tone science modular synth Sunderland

 


Älgarnas Trädgård were a psychedelic and progressive rock band from Sweden[1] which is found on the Nurse With Wound list.

In 1972, they released Framtiden är ett svävande skepp, förankrat i forntiden. More recently, in 2001, archived recordings from 1974 were released under the album title Delayed

Älgarnas Trädgård biography
Founded in Gothenburg, Sweden in 1969 - Disbanded in 1976

ÄLGARNAS TRÄDGÅRD are a seminal, 6-piece Swedish combo who made one album in 1972, a cult classic and masterpiece of psychedelia that could have come straight out of the 'Kraut' school of Space Rock. After the release of their album, they kept on playing live for a while, even recording a full album's worth of new material in 1973-74. But it wasn't until 2001 that this material was mixed and released, on a cd entitled "Delayed".

Their 1972 classic, "Framtiden ar ett Svavande Skepp, Forankrat I Forntiden", is a veritable testimony to the halcyon days of hippiedom - a time when grown men, like children playing with forbidden colours, were popping hallucinogenic bonbons and experimenting with psychedelic sounds in their quest for mind-expanding adventures and altered states of consciousness. However, ÄLGARNAS TRÄDGÅRD's music never lapses into drugged-out silliness or aimless noodling. It ranges from earnest, to Medieval, to completely creepy - a sort of 'RIO meets folk'. They concoct some earthly (and unearthly) sounds using a combination of traditional, modern rock instruments and ethnic/archaic ones, the result being a spectacular blend of slow-smoking psychedelia with a strong vernacular Swedish folk bent. Their guitar-based, trance-like music is reminiscent of ASH RA TEMPEL; it also shares GONG's organic mayhem and the hypnotic qualities of early TANGERINE DREAM. If you can imagine a Nordic version of AMON DÜÜL II or ASH RA TEMPEL, you'll have a pretty good idea of what they sound like. The 2001 cd "Delayed", which makes heavier use of drums and guitars, is yet another marvellously atmospheric and creative mixture of prog and psychedelia.

Highly recommended for Krautrock aficionados as well as for fans of CAN and PINK FLOYD, circa "Ummagumma".
 


For the final section of the show, we'll hear the experimental ambient sounds of Helicho Experimentar's release: Hostil

released March 3, 2023

Todos los temas grabados, mezclados y masterizados por Helecho Experimentar
Track 05 Feto Defecto Voz: Pablo Darío Martín Fontana ( Nei Ming)
neiming.bandcamp.com/album/w-m-ng

Diciembre 2541... Rosario( Argentina)
De las entrañas del ego q vomita la furia unicelular del individuo en llamas, la máquina análoga experimenta el hecho, escupiendo a través del Mosco Dantesco 8 vidas q vociferan gritos indesifrables en su Cualquiera... Cualquiera
Helecho Experimentar

https://revistathe13th.blogspot.com/2023/03/lanzamiento-helecho-experimentar-hostil.html