Showing posts with label usa. Show all posts
Showing posts with label usa. Show all posts

02 June 2026: Markus Reuter "Blind Architectures"; Ian Boddy & Markus Reuter "Distant Rituals" (Ambient Mix); Variant "While the Universe Sleeps" QD50

Be sure to follow KMXT FreeForm Radio on Facebook and Bandcamp and Spotify.  

You can now listen to the livestream of the show through the KMXT app; it's available through the Mac App Store or Google Play. The stream is also available at www.kmxt.org

Please support FreeForm Radio and KMXT by going to www.KMXT.org and pledging your support.

The music you hear on tonight's show is available on the artists' Bandcamp pages and websites. (links below) 

                    We urge you to support the musicians you hear on FreeForm Radio 

I am also hosting Rural Electric, so tune in for some great country music from 7-9 before FreeForm! 

Blind Architectures - Markus Reuter

These ambient miniatures were born over two days in May 2026, serving as both a sonic laboratory and a foundational exploration for an upcoming recording session. The guiding principle behind these sessions was the creation of atmosphere through intentional obscuration.

By routing the touch guitar through a heavily altered signal chain, incorporating a new array of effects pedals, deliberate distortion, and manipulated noise floors, the goal was to render sonic environments that evoke distinct "rainscapes" and "cityscapes."

The defining methodology of this collection is the "blind" recording process. The initial improvisations and textures were tracked entirely without monitoring, the faders pulled completely down. The act of composition then became an act of excavation. The music only revealed itself in the final stage, pushing the faders up to make the invisible architectures suddenly, and sometimes startlingly, visible.

The resulting pieces are brief, concentrated vignettes, averaging two to three minutes in length, capturing the exact moment a hidden landscape comes into focus.

credits

released May 21, 2026

Recorded: May 18–19, 2026
Instrumentation: 8-string Touch Guitar, Effects, Faders
Player and composer: Markus Reuter
ambient classical experimental modern jazz Berlin
 
 

VIP membership exclusive

 

1.


about

Remix produced by Ian Boddy in 2025. The album was originally released in 2000. You can find the original album here:
dinrecords.bandcamp.com/album/distant-rituals-din2

credits

released May 21, 2026
Variant - While the Universe Sleeps 


For the fiftieth release in the series, Quiet Details is thrilled to share an extended-length interpretation from a foundational figure in the electronic music world, the Detroit-based Stephen Hitchell, here as variant with while the universe sleeps.
 
Describing the importance of Stephen’s contribution to electronic music is a huge task - born out of the visionary axis between Detroit, Chicago and Berlin, he built on structures laid by those before him to create a universe of vast depth and sonic beauty. Along with many collaborators, his label echospace [detroit] became a home for forwarding-thinking dub-spirited music.

This, and numerous releases on other labels, including the seminal The Coldest Season on Modern Love with regular partner Rod Modell, and ground-breaking live performances everywhere from Berghain to Movement, made Stephen indivisible from any conversation of the most important artists of our time.

Under the guise of variant, we might find Stephen at his deepest, as he puts it:
"score the constellation of mystical events occurring in the depths of space”

With while the universe sleeps, he has achieved something remarkable. As with all the variant music, Stephen takes influence from the vast recesses of the cosmos, both imaginatively and sonically.

Drawing on NASA’s sound archive, “the vast echoes of space have been manipulated and resynthesized throughout the duration of this sonic experience.”

Through decades of dedication to his craft, Stephen has become a producer of almost unparalleled skill - all seen through the lens of formative years immersed in the inception and evolution of techno, house, ambient and countless detours.

All this is brought to bear on while the universe sleeps - a truly masterful deep-space voyage, eighty minutes submerged in cathartic waves of interstellar bliss.

Infinitely spacious - echoing chords and endlessly sustaining pads establish an emotional core, surrounded by highly-processed astral transmissions and organic analogue noise. Always underpinned by sub-bass reminiscent of the lowest frequencies emanating from the studios of Jamiaca, that are also of massive significance to Stephen’s work.

Huge thanks to Stephen, an incredible addition to the series.

The artwork was made as always influenced by the music and idea behind the album - originating from a photo from Stephen which was then captured with analogue photography and processed here at quiet details studios.

As usual, the album is presented on the physical edition, a custom six-panel digipack with a separate fine art print too.

The CD also has a special long-form continuous mix of the album, unique and representing the music in its purest form.

From Stephen:
written and produced by variant in ann arbor, mi. [2020-2025]
additional modular synthesis provided by antiquemodulations, detroit, mi. usa.
mixdown and premastering by alex gold. mastered by stephen hitchell in echospace. 
thanks to: alex gold, chris federsen, gerard hanson, martin, richard, jimmy, kevin martin, rod modell, sam valenti, steve barker, tomoko and family at disk union and everyone around the world supporting this sonic art.

Credits:
Music by variant
Mastered by Stephen Hitchell in Echospace and Alex at quiet details studios 
Artwork by quiet details in collaboration with Stephen Hitchell
Design by quiet details
© quiet details 2026 all rights reserved

 



 

 

 

06 May 2025: An Evening of Symphonic Prog (Modest Mussorgsky edition); Fire Ballet "Night on Bald Mountain"'; Emerson, Lake, and Palmer "Pictures at an Exhibition"

 Be sure to follow KMXT FreeForm Radio on Facebook and Bandcamp and Spotify.  

You can now listen to the livestream of the show through the KMXT app; it's available through the Mac App Store or Google Play. The stream is also available at www.kmxt.org

Please support FreeForm Radio and KMXT by going to www.KMXT.org and pledging your support.

The music you hear on tonight's show is available on the artists' Bandcamp pages and websites. (links below) 

We urge you to support the musicians you hear on FreeForm Radio.

Tonight I'll also be hosting Rural Electric right after the Island Messenger at  7 pm until 9 pm.

This week's Rural Electric spotlights the best of Canadian country music.

Tonight's FreeForm albums feature the music of Modest Mussorgsky.

Fireballet biography
Founded in North Jersey, USA in 1971 ( as "The Fireball Kids") - Disbanded in 1976

This is one of the gems from the USA progrock history. The band featured Jim Como (lead vocals, drums, percussion), Bryan Howe (Hammond - and pipe organ, celeste and vocals), Ryche Chlanda (electric - and acoustic guitars, electronic devices and vocals), Frak Petto (piano, electric piano, ARP 2600 synthesizer, Mellotron, electronic strings, Oberheim DS-2 digital sequencer and vocals) and Martyn Biling (bass, 12-string guitar, Moog Taurus bass pedals).

Their first album "Night on Bald Mountain" was released in '75 and produced by Ian McDonald (KING CRIMSON). It sounds like a very tasteful progrock stew with elements from GENESIS, GENTLE GIANT and YES. The very disappointing second LP ('76) is entitled "Two, two ... ", no surprise that it turned out to be their swansong.

The album debut-album "Night on Bald Mountain" from 1975 is a bit unknown beauty, other USA prog rock bands NETHERWORLD and LIFT got far more attention from the prog fans all over the world. The twelve compositions (including seven bonus tracks, "All Killers, No Fillers" would Greg Walker from Syn-Phonic say) contain alternating and captivating music with strong echoes from early GENESIS and also GENTLE GIANT and YES. But many twists and turns give the music an original approach, including exciting arrangements from classic composers (MUSSORGSKY and DEBUSSY). The singer sounds powerful and has a wide range, the 'vintage' keyboards are very lush with spectacular synthesizer solos and the guitar work has a beautiful, 24-carat symphonic tradition. Highlight on this splendid CD is the epic title track (almost 20 minutes): wonderful changes of climate, great breaks, impressive pipe organ (evoking "Close to the Edge" from YES) and beautiful HACKETT-like guitar work. Also worth mentioning is Ian McDonald's contribution to this album, he plays flute on two tracks and saxophone on two tracks, his sound is very distinctive. Highly recommended!

Review by loserboy
PROG REVIEWER

5 stars Superbly crafted 70's mellotron/moog laden progressive rock gem with great artistic expressionism and full instrumental interplay. "Night On Bald Mountain" was produced by KING CRIMSON's Ian McDonald who also contributes some sax on the album. Musicianship on this album is simply awesome with some of the most scrumptious interplay you have ever heard. Opening number 'Les Cathedrales' is absolutely in the same brilliance as early GENESIS with the most captivating and delicate of melodies. This five member band incorporate some wonderful musical instrumentation including xylophone, glockenspiel, chineese bell tree, gong, finger cymbals, tubular bells, triangle, hammond organ, pipe organ, celeste, mellotron, moog , Taurus pedals, and everyone's favourite... electronic devices. Vocals are quite well done with some great lyrics as well. "Night On Bald Mountain" contains 2 epic tracks and a couple of shorter but well pieced tracks. For those lucky enough to have snagged a copy of Setticlavio Record's (Italy) re-released CD pressing can also enjoy their second album as well... 7 extra bonus tracks from the album titled "Two Too" (1976)... although it is always nice to have this bonus material is ranks much lower IMHO than "Night On Bald Mountain" which is a great album and in my opinion an essential piece of Prog Land history !

Night on Bald Mountain (Russian: Ночь на лысой горе, romanized: Noch′ na lysoy gore), also known as Night on the Bare Mountain, is a series of compositions by Modest Mussorgsky (1839–1881). Inspired by Russian literary works and legend, Mussorgsky composed a "musical picture", St. John's Eve on Bald Mountain (Russian: Иванова ночь на лысой горе, romanized: Ivanova noch′ na lysoy gore) on the theme of a Witches' Sabbath occurring at Bald Mountain on St. John's Eve, which he completed on that very night, 23 June 1867. Together with Nikolai Rimsky-Korsakov's Sadko (1867), it is one of the first tone poems by a Russian composer.[1


 

Pictures at an Exhibition is a live album by English progressive rock band Emerson, Lake & Palmer, released in November 1971 on Island Records. It features the group's rock adaptation of Pictures at an Exhibition, the piano suite by Modest Mussorgsky, performed at Newcastle City Hall on 26 March 1971.

The band had performed the Mussorgsky piece since their live debut in August 1970, after keyboardist Keith Emerson had attended an orchestral performance of the piece several years before and pitched the idea to guitarist and frontman Greg Lake and drummer Carl Palmer, who agreed to adapt it while contributing sections to the arrangement. The album concludes with the concert's encore, "Nut Rocker", a rock adaptation of The Nutcracker originally arranged by Kim Fowley and recorded by B. Bumble and the Stingers in 1962.

Pictures at an Exhibition went to number 3 on the UK Albums Chart and number 10 on the US Billboard 200. In 2001, it was reissued as a remastered edition that included a studio version of the piece recorded in 1993.

Arrangement

The band's arrangement of the suite uses only four of the ten parts in Mussorgsky's suite, along with the linking "Promenade" sections. The suite was performed live as one continuous piece, with new, group-written sections linking Mussorgsky's original themes.

Note that Mussorgsky's original compositions are listed in bold:

  1. Promenade: Pipe organ solo by Emerson at the Harrison & Harrison pipe organ of the auditorium; followed by a drum roll
  2. The Gnome: Group instrumental adaptation featuring fuzz bass, Hammond and Moog
  3. Promenade: Hammond organ and soft vocal, followed by a short synthesizer solo
  4. The Sage: A new picture drawn by Lake solely on acoustic guitar in the mood of a medieval minnesang, it works as sort of romantic prelude to "The Old Castle"
  5. The Old Castle: Begins with Emerson squeezing out whoops and whistles from the Moog's ribbon controller, followed by an accelerated adaptation of the original theme played by the full band
  6. Blues Variation: a Hammond-driven twelve-bar blues credited to the group, borrowing themes from "The Old Castle" and those that Emerson had previously performed with The Nice on their version of "My Back Pages"
  7. Promenade: Full group instrumental version of the primary theme
  8. The Hut of Baba Yaga: Full group instrumental adaptation
  9. The Curse of Baba Yaga: Lake adapts a section of Mussorgsky's music on fuzz/wah-wah bass, followed by a group-penned section with lyrics/vocal climaxing on a siren-like Moog solo
  10. The Hut of Baba Yaga: Full group reprise of the earlier "Hut" theme
  11. The Great Gates of Kiev: with lyrics/vocal added by the group and an extended climax featuring Emerson dragging his Hammond organ across the stage to produce feedback

 

Pictures at an Exhibition[a] is a piano suite in ten movements, plus a recurring and varied Promenade theme, written in 1874 by Russian composer Modest Mussorgsky. It is a musical depiction of a tour of an exhibition of works by architect and painter Viktor Hartmann put on at the Imperial Academy of Arts in Saint Petersburg, following his sudden death in the previous year. Each movement of the suite is based on an individual work, some of which are lost.

The composition has become a showpiece for virtuoso pianists, and became widely known from orchestrations and arrangements produced by other composers and contemporary musicians, with Maurice Ravel's 1922 adaptation for orchestra being the most recorded and performed. The suite, particularly the final movement, "The Bogatyr Gates", is widely considered one of Mussorgsky's greatest works.

11 March 2025: Gayle Ellett & the Electromags "The Painted River of Light"; Tomoyoshi Date and Bill Seaman "Duet". (Quiet Details 26)


 Be sure to follow KMXT FreeForm Radio on Facebook and Bandcamp and Spotify.  

You can now listen to the livestream of the show through the KMXT app; it's available through the Mac App Store or Google Play. The stream is also available at www.kmxt.org

Please support FreeForm Radio and KMXT by going to www.KMXT.org and pledging your support.

The music you hear on tonight's show is available on the artists' Bandcamp pages and websites. (links below) 

We urge you to support the musicians you hear on FreeForm Radio.

Tonight I'll also be hosting Rural Electric right after the Island Messenger at  7 pm until 9 pm.

Tonight's Rural Electric theme is songs about the Gulf of Mexico. 



Gayle Ellett & The Electromags are back with their third album: The Painted River of Light. This instrumental progressive rock offering features four mesmerizing extended tracks flowing with the sounds of Mellotron and Minimoog, Hammond organ and Rhodes piano. Filled with 48 minutes of rushing currents, psychedelic swirling melodies and pounding solos, Painted River is meant to take listeners on an imaginary boat ride through a fantastical canyon that follows an otherworldly river of light. “While” explains Ellett, “they feel like they’re high on mushrooms. It’s meant to sound both familiar and exotic, like you’re seeing colors in the water that you’ve never seen before.”

Flowing from the fiery headwaters of Topanga Canyon, this glowing river of sound relies on Craig Kahn’s dynamic drumming, which helps propel the currents forward, while bassist Mark Cook, with his 14-string Warr guitar, provides powerful waterfalls of soundscapes and effects. Besides playing all the thundering keyboards, to keep the sound moving through the rapids, Gayle Ellett leans in with his trademark wailing guitar style. Using his large collection of guitars and vintage tube amps, tape-delays, and effects, Ellett mixes a 1970’s feel with more modern sensibilities. And, by including his sitar-guitar and 8-string bouzouki, he adds a silvery thread that bubbles into tranquil eddies and then rushes towards the torrent’s
edge.

“As a kid, my favorite ride at Disneyland was always the Jungle Cruise,” muses Ellett. “It was all
encompassing, huge and three-dimensional, a total environment of the Imagineers’ own making. With The Painted River of Light, I wanted to recreate that same sort of visual immersion, but through sound. And I hope we’ve succeeded!”

Come float with us as you explore the glorious sounds of The Painted River of Light!
 

credits

released February 1, 2025

Performers and what instruments they played:

Gayle Ellett: keyboards, electric & acoustic guitars, sitar guitar & soundscapes
Mark Cook: bass, 14-string Warr guitar & soundscapes
Craig Kahn: drums

Composer for each track: Gayle Ellett
Mixed mastered and produced by Gayle Ellett
Album cover art: Steven Leak
Recorded in Topanga California and Arlington Texas
Mixed mastered produced in Topanga, CA.
Published by: PeacockSunrise Records
© 2025 Gayle Ellett (BMI)
rock instrumental rock surf rock California
 

by Tomoyoshi Date and Bill Seaman

 

FreeForm thanks Alex at Quiet Details for a copy of this release. 

Credits:
Music by Tomoyoshi Date and Bill Seaman
Mastered by Tomoyoshi Date
Artwork by quiet details in collaboration with Tomoyoshi Date and Bill Seaman Design by quiet details
© quiet details 2024 all rights reserved 


So happy to say the next album in the quiet details series is a creation born from the collaboration of two wonderful artists, Tomoyoshi Date and Bill Seaman.

Individually, both artists have extensive discographies, stretching back many years
and known for a cerebral and deeply musical approach to their work.

Tomoyoshi, solo and in collaboration (with the likes of Corey Fuller, Tatsuhisa Yamamoto, Federico Durand and Chihei Hatakeyama), with beautiful releases on labels such as LAAPS, 12k, Home Normal, Dauw, White Paddy Mountain and more.

Bill, also a consummate collaborator (with Craig Tattersall, Off The Sky, Stephen Vitiello, Tim Diagram, Stephen Spera. Michael Grigoni, Xu and more), releasing stunning albums on Room40, Longform Editions, LAAPS, oscarson, Fluid Audio, Eilean Recs, Cotton Goods and others.

Together they’ve made something of astounding beauty - a masterclass in electro- acoustic composition, centred around the piano and all its nuances.

Working by slowly passing ideas back and forth, and influenced by Bill’s work with Wei Ping Lin of the Austrian Symphony and James Chu (who both feature on the album), and progressing while Tomoyoshi was heavily involved with the incredible Ryuichi Sakamoto Micro Ambient Music project - over time the album gradually took shape.

Building on an innate and natural understanding of each other, piano improvisations and sonic abstractions layer with violin and clarinet to form richly detailed soundscapes, full of micro-ambience and elegant textures.

You can feel how in-tune these two instinctive and highly-skilled musicians are with every passing moment - everything so carefully and precisely constructed while feeling completely natural and perfectly formed.

Along with piano, the micro-sounds are fundamental to this music - the fragments from the recording process, deliberately and meticulously prepared to show the listener a whole world of subtlety - delicate and arising from silence, this is a graceful and vivid experience for the senses.
So pleased to share it with you, a gorgeous album of breathtaking beauty.

Huge thanks to Tomoyoshi and Bill for everything, a wonderful addition to the series.
The artwork was made as always influenced by the music and idea behind the album - originating from a photo from Tomoyoshi and Bill which was then captured with analogue photography and processed here at quiet details studios.

As usual, the album is presented on the physical edition, a custom six-panel digipack with a separate fine art print too.

The CD also has a special long-form continuous mix of the album, representing the music in its purest form.

tomoyoshidate.bandcamp.com
billseaman.bandcamp.com
 

credits

released November 13, 2024
ambient japan united states chill-out downtempo drone electronic field recordings microsound piano United Kingdom

about

quiet details UK

a record label where each release is an interpretation of the name

curation and art fieldswefound.bandcamp.com

mastering and audio services

contact / help

Contact quiet details


In our vast and largely unexplored universe, it is conceivable that we are not alone. The cosmos could be teeming with life, and within the depths of unknown worlds, countless civilizations might thrive, each with their own unique history, culture, and beliefs. These alien species, potentially millennia ahead of humans in terms of evolution, could have developed religious and spiritual systems that are incomprehensible to our current understanding. Rather than worshipping gods bound by earthly limitations, these beings might have a more cosmic orientation—deities and spiritual energies connected to the stars, the fabric of space-time, or the intricate dance of galaxies and black holes. Some may venerate celestial bodies or cosmic phenomena, viewing stars, supernovas, or even the void itself as manifestations of divine forces. Others might have no concept of gods at all, finding spirituality in the patterns of the universe, in mathematical perfection, or in the interconnectedness of all things. It is possible that some of these civilizations may be entirely artificial, their minds uploaded into machines or existing as pure energy. In this case, their form of worship could be directed toward artificial intelligences or a collective consciousness, where rituals are carried out through data streams, and prayers are transmitted through quantum entanglements.

"Music for Alien Temples" is an ambitious and visionary project that ventures into the realm of speculative soundscapes, imagining the religious practices, spiritual rituals, and cosmic ceremonies of advanced alien civilizations. It invites listeners to journey through soundscapes that evoke this cosmic religiosity. Each track is designed to transport the listener to an alien temple, a sacred space where the divine is perceived not through human eyes but through the expanded consciousness of extraterrestrial minds. These temples could be physical or purely conceptual, existing in dimensions we cannot perceive or even understand. The atmospheres evoke the presence of alien priests, perhaps artificial intelligences or cyborg entities, leading ritualistic chants and cosmic hymns filled with meaning on a vibrational, energetic level. "Music for Alien Temples" does not attempt to define or limit these extraterrestrial belief systems but rather offers a sonic interpretation of what alien spirituality might feel like. It is a meditation on the possibility that, across the cosmos, there are civilizations whose approach to the divine is as diverse and boundless as the universe itself.
 

credits

released January 2, 2025

Previous compilations from the same series:

Music For Abandoned Monasteries
eighthtowerrecords.bandcamp.com/album/music-for-abandoned-monasteries

Music For Haunted Asylums
eighthtowerrecords.bandcamp.com/album/music-for-haunted-asylums


REVIEWS

Avant Music News
avantmusicnews.com/2025/01/04/amn-reviews-various-artists-music-for-alien-temples-2025-eighth-tower-records/

Igloo Magazine
igloomag.com/reviews/music-for-alien-temples-eighth-tower

Luminous Dash
luminousdash.be/reviews/music-for-alien-temples-eight-tower

This Is Darkness
Described as “… an ambitious and visionary project that ventures into the realm of speculative soundscapes, imagining the religious practices, spiritual rituals, and cosmic ceremonies of advanced alien civilizations…” Music for Alien Temples is an album that totally delivers on its premise. With 14 tracks of strange, multi-layered otherworldliness, presented by a range of talented musicians, this is one of those remarkable albums that is an absolute joy to listen to from start to finish, each track offers something unique, and yet they all fit together perfectly to create a unified audio experience that is quite honestly stunning. Impressive!

FreeForm thanks Raffaele Pezzella for a complimentary copy of this release.

Artwork by David Kovacs.
Curated and mastered by Raffaele Pezzella (a.k.a. Sonologyst).
Published by Eighth Tower Records (Cat. Num. ETR057).
© 2025 All rights reserved.

license

all rights reserved

tags


 

22 October 2024: Ragnarok; Cousin Silas and Jonathan Ewald (litmus0001)

 

Be sure to follow KMXT FreeForm Radio on Facebook and Bandcamp.  

Please support FreeForm Radio and KMXT by going to www.KMXT.org and pledging your support.

The music you hear is available on the artists' Bandcamp pages, websites, and Spotify

We urge you to support the musicians you hear on FreeForm Radio. 

 
Ragnarök is a Swedish prog-rock band, founded in Kalmar in 1972, by Peter Bryngelsson, Henrik Strindberg and Staffan Strindberg. Their first album was released 1976 by Silence Records
 
Ragnarök biography
Formed in Kalmar, Sweden in 1972 - Recording hiatus from 1992 to 2007 - Reformed in 2003

These Swedes managed four albums on Silence Record and some more (not listed here) in the early 90's. They are a typical example of atmospheric and melancholic prog like only Sweden can produce them. Their first album is a real classic known as a minor classic among progheads and they will participate to another group (KUNG TUNG - much harder) before doing their second album where those influences from that group will leave a mark. It is reputed to be as good as their debut. The later albums listed here remain of a good standard. Among the non-listed albums is "Well"(91) and is rather new age and sometimes industrial - not much to do with the earlier works.

: : : Hugues Chantraine, BELGIUM : : :

NOTE: Not to be confused with the New Zealand symphonic prog group from those very same years (also HERE on PA) or the Heavy Metal unit from the 80-90's.  

Review by siLLy puPPy
Special Collaborator PSIKE, JRF/Canterbury, P Metal, Eclectic

4 stars RAGNORÖK has been one of Sweden's longest running progressive acts engaging in both progressive rock and progressive folk since its formation in Kalmar in 1972. Founded by Peter Bryngelsson (guitar, bass, vocals), Henrik Strindberg (guitar, flute) and Staffan Strindberg (bass), throughout the band's existence it has seen more than 25 members come and go. Despite this long existence the band has only released a total of six studio albums which all began with this 1976 self-titled debut. While mostly active during the 70s and 80s, the band took a hiatus and then reformed in 2002 but has only released one album "Path" since.

While RAGNORÖK would take a turn towards progressive jazz rock on its sophomore album "Fjärilar i magen," on this eponymous debut the band delivers a lush pastoral form of progressive folk that belies the band name that refers to the great event in Norse mythology that includes a great battle. On the contrary, RAGNORÖK's first album is one of the most mellow and dreamy styles of prog you could possibly experience with slow moving guitar and flute, piano arpeggios and a controlled drum and bass section. Hints of the jazz direction are dropped in some of the percussion moves but otherwise this sounds more like a mix of Bo Hanssen and Camel without any true points where the band rocks out.

A veritable mix of folk, classical guitar, semi-jazzy interludes and the pastoral aspects of prog ranging from Genesis to Anthony Phillips (sans vocals). The music also includes some interesting Swedish folk flavors including a bit of that famous circus music feel on the short "Fjottot" but mostly this is an acoustic guitar, piano and flute dominated album that takes you into prog placidity. While mellow prog such as this can often fall into tedium, RAGNORÖK keeps the album interesting by crafting an excellent instrumental interplay that keeps you in the zone. Too often folky albums will unnecessarily attempt to rock out at inappropriate moments and while that can be effective if done well, often it falls flat. In this case the band simply stays on mellow mode for the entire ride which makes it a beautifully compelling listen. Of course this would all amount to nought if not for the beautiful melodies crafted.

Another strength is the use of varying styles of folk music with even Celtic folk sounds being implemented on "Stiltje-uppbrott." Personally i find these low key prog albums hit or miss but occasionally a band nails it perfectly. This is something like Sweden's equivalent to Italy's Celeste who also went against the grain and delivered a rock-free slice of piano-based mellowness. To my ears this sounds like the prog equivalent of cool jazz and if Miles Davis was Swedish and took on the world of prog folk then perhaps this is the kind of album he would've produced. Any way you slice it, RAGNORÖK's debut is a one of those pleasant surprises that works because of its high quality and consistency throughout its run. The mix of instrumentation is family unique and the album doesn't sound like much else. A nice late to the game addition to the world of prog folk in 1976. 

 


Thanks to Litmus for his contribution.

litmus0001.bandcamp.com
 
This is the second Cousin Silas/litmus0001 collaboration to be featured on FreeForm Radio 

credits

released October 4, 2024

Thanks to Thomas Mathie for the cover design