15 January 2019: King Crimson / Ian Boddy "Spirits" (DiNDDL22)

On the evening of Monday January 13th, 1969, King Crimson formally began rehearsals in the basement of the Fulham Palace Road Cafe. After hauling their equipment down the stairs into their cramped rehearsal room Greg Lake, Ian McDonald, Michael Giles, Robert Fripp plugged in their instruments, and with Peter Sinfield operating lights and sound, played and worked on material for the next hour and a half.
By July of that year, the band was performing in Hyde Park on the same bill as The Rolling Stones to an audience of up to 500,000 people. By October, the debut album: “In the Court of the Crimson King” was in the Top 5 of the UK album charts, shortly followed by a top 30 position in the US album charts and a No 1 slot – replacing Abbey Road – in the Japanese international chart. By December, following a series of US concerts finishing at San Francisco’s Fillmore West, the band’s first line-up had imploded.
That was just the beginning…
We will play the original album in its entirety plus some live recordings from the Hyde Park show.



After the success of his first vinyl album, “The Climb”, Boddy moved onto working on his second vinyl release “Spirits”. Dominated by the sound of his recently acquired Yamaha DX7 the album has an all together starker sound than its predecessor. He actually premiered a version of the title track at the first ever UK Electronica held in 1983. The album was recorded at Newcastle Media Workshops between December 1983 & February 1984 and released toward the end of 1984.

The title track which spans an entire side of the vinyl release is a huge, sprawling, Gothic soundscape which features a pounding middle section with the live drums of Ian McCormack. The first side opens with the track “Pulse” which could almost have been released as a single with its dance like rhythms and “catchy” tune. The next track “Living In A Ritual” is a unique track for Boddy in that it features vocals from Blitzkreig front man Brian Ross. Overlaid on a pulsing arpeggiator rhythm & with Vocoder keyboards from Boddy it has rather surprisingly become a bit of a cult classic in some Berlin nightclubs!

As with “The Climb” the vinyl edition of “Spirits” quickly sold out and was also reissued on CD in 1995 on Boddy’s Something Else Records label. A bonus track “Lamalode” was added to this edition which tries to follow on from the Gothic mood of the title track albeit with a more orchestral feel. This edition also sold out and other than a limited run on CDr this classic album has been out of print for many years. Since then Boddy has set up his successful DiN label and whilst he has moved on musically it is important not to forget his past. Thus Boddy intends to reissue each of his early albums on the DiNDDL download sub-label of DiN to give new listeners access to the full CD quality audio with as much of the original artwork as possible.  

credits

released January 8, 2019

Ian Boddy: Synthesisers, Samplers and Electronic rhythms.
Brian Ross: Vocals on "Living In A Ritual".
Ian McCormack: Drums on "Spirits". 
 
You will find "Spirits" and other releases by Ian Boddy on Bandcamp.

01 January 2019: The Emporium Project (Cousin Silas & Friends)

 Tonight on FreeForm Radio, we offer an ambient journey from Cousin Silas & Friends as a contrast to your New Year's Eve revelry.

Coming in at just over two hours long (two hours and nine minutes to be precise) is the first part of the first "The Emporium Project" ... a collection of collaborations that span multiple genres but hold true to their central, uniting force ... Cousin Silas.

On 1.1, Cousin Silas & his Friends bring to the table longform ambient and unique sounds inspired by ska ... atmospheric soundscapes that use field recordings and tracks that feel like they were recorded in an out-of-the-way Blues club ... dark ambient eeriness and more percussive sounds. It is, without doubt, a varied set, one that will appeal to the curious and the adventurous in equal measure.

As mentioned above, this is the first part of the first Emporium Project ... you can expect four more parts in the coming days and weeks ... roughly ten hours in total and plenty to keep you occupied in the dark days of winter (in the Northern Hemisphere).

As with Cousin Silas & Friends releases before, we will use this series to give a little back to our wider community. All monies raised from the sale of this album will be donated to Hospice UK. I am both fortunate and grateful to work for an employer who actively matches all donations made ... so every purchase will be doubled for the benefit of a very worthy cause.

I really do hope you will enjoy this album as much as I have.

- Thomas

**Please Note:** due to the fundraising aspect of this album, it will not be added to our collection over at archive.org.
 

credits

released December 15, 2018

All music initiated by Cousin Silas. Please refer to each individual track for details of collaborator.

Photograph by Carrie Favretto

Design & Logistics by Thomas Mathie for weareallghosts.co.uk

All proceeds of this release will be donated to hospiceuk.org

18 December 2018: A Jethro Tull / California Guitar Trio / Markus Reuter Christmas

The Jethro Tull Christmas Album is the 21st studio album released by Jethro Tull, on 30 September 2003 (see 2003 in music). The songs are a mix of new material, re-recordings of Tull's own suitably themed material and arrangements of traditional Christmas music. In 2009, the live album Christmas at St Bride's 2008 was included with the original album on CD.
Ian Anderson about the song Birthday Card at Christmas: "My daughter Gael, like millions of other unfortunates, celebrates her birthday within a gnat’s whisker of Christmas. Overshadowed by the Great Occasion, such birthdays can be flat, perfunctory and fleetingly token in their uneventful passing. The daunting party and festive celebration of the Christian calendar overshadows too, some might argue, the humble birthday of one Mr. J. Christ. Funny old 25ths, Decembers…"

California Guitar Trio - 10 Christmas Songs

AllMusic Review by

Not that there is an abundance of progressive rock-tinged acoustic guitar trios among the ranks, but this aggregation stands tall among its peers as the guitarists' inventiveness surges forward with this altogether warmhearted reckoning of Christmas carols and other pleasantries. The guitarists' nimble yet at times forceful approach is wholly evident during their highly rhythmic spin on "Jingle Bells." They perform the classic "Greensleeves" with a sensitive, chamber-like approach while also tackling the Lennon/Ono favorite "Happy X-Mas (War Is Over)." However, part of the magic resides within the trio's ability to delve into the inherent frameworks of each song, while also reformulating themes and rhythms into personalized statements. Essentially, the artists have produced a rather poignant Christmas outing, awash with interweaving lines and lilting harmonies, as they complement their superior artisanship and forward-thinking deployments with a cheerfully rendered collection of holiday favorites.
Bizarre soundscape versions of traditional songs usually associated with this time of year, at least here in Germany. In addition to the meditative soundscapes (which are based on the series of pitches of each tune) I've also overdubbed straight versions of the original melodies. Enjoy this parallel universe... It's strangely hypnotizing. Only available from December 17th to December 31st.

credits

released December 17, 2018

1. Silent (Night) / Stille Nacht, heilige Nacht

5. Night (Silent) / Stille Nacht, heilige Nacht






























11 December 2018: A FreeForm Twisted Christmas

Join us for a FreeForm Radio holiday tradition as we spotlight hilarious Christmas song parodies from the Bob Rivers Comedy Corp.   We'll also hear tunes from the Capitol Steps, the Fools, Mojo Nixon, John Prine, the Reduced Shakespeare Company, and others.  There will be COWS!!!
Both Elvis AND Sarah Palin will be on the show - you won't want to miss it!
And it's not too late to pledge your support to public radio KMXT online at kmxt.org


04 December 2018: Joachim Cooder - Quantum Tangle - Iceberg



















Fuchsia Machu Picchu continues Coode's ethereal explorations. The title song, as Joachim explained while opening for his dad in concert recently, began as a simple serenade to a plant he was urging to grow in his Los Angeles garden. Among the best of the seven tunes are “Everyone Sleeps in the Light,” a performance of which you can view below (Hey, who’s that old guy on bass?), and “Because the Moonlight,” which has a little Talking Timbuktu-style guitar sprinkled into the music courtesy of Dad. The album is a definite departure from the conventional roots music often featured on this blog. It’s not for everyone, but if you’re in the mood for some flowing, atmospheric melodies but aren’t looking to go full Eno, Joachim’s music might hit the spot. The EP is available for download at various places around the internet.
Where is the most compelling and innovative music being made right now in Canada? Your first guess might be one of the country’s major urban centres, but a strong argument can be made that Canada’s North is truly changing the game. Case in point is Quantum Tangle who, after their 2016 EP Tiny Hands won the JUNO for Indigenous Album of the Year, have followed it up with a dynamic full-length debut, Shelter as we go…

Quantum Tangle combines the wide-ranging artistic visions of Greyson Gritt and Tiffany Ayalik who draw from their respective Anishinaabe-Métis and Inuit backgrounds to create a fusion of old-world sounds and new-world flair. Woven throughout Shelter as we go…, deep blues riffs, traditional throat singing and haunting melodies intertwine with hard beats and equally hard-hitting storytelling.

Proudly and boldly displaying their Indigenous roots, Gritt and Ayalik tailor their music to examine systemic racism and colonialism, while offering ways to empower marginalized groups. As vocal advocates for gender-equality and the need for safe-spaces, Quantum Tangle looks back through history to challenge, educate and encourage audiences to be socially aware.

With their JUNO win and the release of Shelter as We Go…, Quantum Tangle joins Tanya Tagaq and A Tribe Called Red as artists who are revolutionizing the genre of Indigenous music and bringing it to the mainstream. These are the most vital voices in Canada at this moment, and they will no longer be denied.

1. Tiny Hands Listen/Download on Bandcamp

2. Igluvut Listen/Download on Bandcamp

3. Freeze, Melt, Boil Listen/Download on Bandcamp

4. Love is Love Pt.1 Listen/Download on Bandcamp

5. Love is Love Pt. 2 Listen/Download on Bandcamp

6. Ikersuaq Listen/Download on Bandcamp

7. Tiny Hands (Reimagined) Listen/Download on Bandcamp

8. Angnahiak Listen/Download on Bandcamp
Founded in Barcelona, Spain in 1974 - Disbanded in 1979 

ICEBERG from the middle of the 70's were easily one of *the* best Progressive bands to come from Spain. This Spanish band ICEBERG came (like Manuel from Fawlty Towers) from Barcelona and consisted of: Max Sune (guitar), Josep Mas Kitflus (keyboards), Primi Sancho (bass) and Jordi Colomer (drums), Angel Riba (voice) could only be heard on the first record. Their style was definitely jazzier but with continuous conversations between the guitars and keyboards in a mixture of fusion and symphonic sounds. The band mixed RETURN FOREVER or THE MAHAVISHNU ORCHESTRA's crazy and energetic music and SANTANA's more latin one.

ICEBERG made four studio-albums entitled: "Tutankhamon" ('75), "Coses Nostres" ('76), "Sentiments" ('77) and "Arc-en-Ciel" ('78). Their final release was the live-LP "En directe" from '79. Their debut album "Tutankhamon" (eleven tracks) is their most 'symphonic': tasteful songs with many shifting moods, ranging from fluent with biting and howling, wah-wah drenched guitar solos to dreamy with floods of choir-Mellotron and tender Fender Rhodes piano. The vocals are often passionate and the interplay between guitar and keyboards is flowing. The other albums contain splendid jazzrock/fusion music with spectacular guitar - and keyboard work. Try for "Coses Nostres" or "Sentiments" as they're a bit better than "En Directe" or "Arc-En-Ciel" though any of these are fantastic. "Coses Nostres" is a very strong release from the ultimate Spanish fusion ensemble. An absolute must if you can find any of the albums. FOR THE FUSION-LOVERS...! 

27 November 2018: People Folk and Blue Tech (DiN57)

NOTE:  I'll also be hosting the "Rural Electric Show" from 7-9 pm Alaska Standard Time this same night.   FreeForm featuring the People Folk and Blue Tech begins at 9 pm AST.



Album release: Friday, July 13, 2018.

People Folk is a five-piece folk-rock band with a concept album related to popular characters, fairy tales, and nursery rhymes. 
Guitar, cello, flute, percussion, and a blend of harmonies give off a variety of sounds where there's something for everyone. 

Liner notes from Cellist/vocalist Mary Gaughan:
The fairytale concept of the album was inspired  guitarist, George Macias, who has 3 young daughters and every single night would read his daughters fairy tales before they went to sleep. Slowly over time he began writing songs that encompassed these beloved stories that his daughters loved so much. From there, the band was formed in California through meeting at mutual open mic gatherings and collaborated together on unfinished songs, created individual instrumental parts, unique harmonies, and each member also has an original song featured on the album (mine is Wishing Well). The album took a little over 3 years to fully complete because after the band was fully formed, we had 4 months left before I moved back to Arizona and George moved to Pennsylvania. In those short 4 months, we finished the songs, performed many of them in the southern California area, and recorded all at the same time. Once George and I moved away, we then had to do the rest of the recording, planning, and producing long distance, which is why it took so long to fully finish the project. Even though the band is now split, 3 original members (Chase, Kaitlin, and Ronald) still live in California and continue to perform the songs and they are actually writing new songs for a potential second album, featuring many more beloved fairy tales.


You can purchase the cd and/or a digital download here:  https://peoplefolk.bandcamp.com/album/timeless-tales
1.Roast Ribs 04:08

2.Little Red 04:10

3.Tin Man 05:46

4.Wishing Well 03:50

5.Mary 02:59

6.Naughty in Me 02:50

7.If I Fall 04:58

8.Around the Bend 05:10

9.The Surface 04:36

10.Claudia Maria 03:33

11.Humpty 04:17


Evan Bartholomew has been performing electronic music for nearly 20 years as Bluetech, Evan Marc, Invisible Allies (with Kilowatts), and is one of the founders of MicrodoseVR, with Android Jones and the Vision Agency team. He is an internationally recognised touring music producer with over 27 album/EP releases in the last 15+ years, and has a seasoned portfolio of video game and film/tv scoring credits. Bluetech is a master of analogue and modular sound synthesis and DSP audio manipulation, and brings a passion for sound design and cutting edge audio exploration into all the work he touches. His music transcends the constructs normally associated with a calculated “electronic artist,” pursuing music with meaning and purpose in various styles like ambient and downtempo, future bass, and techno.

“Liquid Geometries” sees him exploring shifting, fractal landscapes of melodic, sequenced lines using a huge range of analogue modular synthesisers. With a distinct nod to the Berlin School masters of the past he upgrades that musical heritage with nine shimmering soundscapes utilising modern production techniques to create beautiful tapestries of sound. These benefit from repeated, deep listening as there are so many details and interlaced patterns that will reveal themselves over time. Evan also invited DiN... more
credits
released November 16, 2018

Buy this and other cds/digital downloads at    http://www.dinrecords.bandcamp.com/


Composed & Produced by Evan Bartholomew for Tribal Alchemy Media, ASCAP
Mastered by Shawn @ Audibleoddities.com

Eurorack Modular Gear:
Verbos, Intellijel, Random Source Serge, 4ms, Synthesis Technology, WMD, Mutable Instruments, Make Noise, Rossum Electro, Mannequins, Hexinverter, Xaoc, Alright Devices, System 80, Music Thing Modular, ALM, Magpie Modular & Strymon

MU Modular:
Moon Modular, Synthesizers.com, Free State FX, STG Soundlabs & Synthcube

Synths:
Moog Voyager, David Smith Prophet 6 & Korg Arp Odyssey

FX Pedals:
Strymon, Eventide, Empress, Earthquaker Devices & Shift Line

Software:
Ableton Live, Soundtoys & Native Instruments Reaktor

Analogue Systems French Connection & Make Noise O-Coast on Track #7 by: Ian Boddy
license
all rights reserved
1.
Bardo Waves 06:41
2.
Vessels 07:34
3.
Helix 05:17
4.
Crystalline Forms 06:22
5.
Subterranea 05:17
6.
Dawn Ascent 07:16
7.
Tranquility Gate 07:52
8.
Resonating Heart 05:41
9.
Underground Lakes 06:09


23 October 2018: Geph, Tamarisk, David Cross




GEPH is an instrumental progressive jazz metal trio riding the very cutting edge of contemporary music. With Josh Goldbergand John Tyler Kent on Chapman Stick, and Josh Merhar on drums, the three of them sound as big as a five-piece, and work to expand the modern conceptions of arranging and composing in a heavy, intense and still succinctly musical format.   


APOPHENIA

1. 07:41

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3.
02:40


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5.
06:23


6.
08:51


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about

Apophenia (/æpoʊˈfiːniə/) is the tendency to perceive connections and meaning between unrelated things.

credits

released July 6, 2018

Josh Goldberg - Chapman Stick
John Tyler Kent - Chapman Stick
Josh Merhar - Drums

All songs written and performed by GEPH with the exception of "Little Guy" which was written and performed by John Tyler Kent

Produced, recorded and mixed by Bryan Fennelly at Plaid Dog Recording
Mastered by Mike Davidson at Plaid Dog Recording

Album artwork by Josh Goldberg
Layout/design by John Tyler Kent
Back cover photography by Jen Derosiers
Interior photography by Caitlin Kling 

Coming from the Northeastern part of London, Tamarisk evolved around 1982 from the ashes of Chemical Alice (Mark Kelly of Marillion fame had spent time with this group). Originally founded by Steve Leigh on keyboards, Andy Grant on vocals and Richard Crichton on drums, they secured a solid line-up only when Crichton was replaced by Richard Harris along with Peter Munday on guitars and Mark Orbell on bass. The group went on to produce two very rare cassette E.P.'s, a self-titled in 1982 and ''Lost properties'' ta year later. Shortly after a line-up change occurred with Nick May taking over the bass duties and Brian Roberts being the drummer. In 1985 Tamarisk briefly performed as a trio of Leigh, Grant and May under the name of ''Corrupted by Toys'', before disbanding for good.

Leigh spent some time with Quasar before forming Landmarq, while May had a nice career, initially joining Dagaband, then for a short time Jadis, appeared for a while with The Enid, while his latest collaboration was with Karnataka around 2005. Almost 30 years after Tamarisk's demise the compilation album ''Frozen in time'' was released, containing the material of both the early E.P.'s of the group, thus giving the chance to prog fans to taste the band's unpolished, raw and underground Neo Prog sound.

Live recording of Tamarisk's first show in over 30 years. Recorded at Chinnerys in Southend -On-Sea on Saturday 3rd March 2018
credits
released June 9, 2018 

Andy Grant - Voice 
Steve Leigh - Keyboards 
Chris Davies - Bass 
Luke Rayner - Guitar 
Marc Cecil - Drums 

Dave Denby - Photography





David Cross

David Cross
Born23 April 1949 (age 69)
PlymouthEngland
OriginElectric violinist
InstrumentsViolinviolakeyboardsflute
Years active1973–present
LabelsNoisy Records
Associated actsKing Crimson, Radius, Electric Chamber Music, David Cross Band
Websitewww.david-cross.com
David Cross (born 23 April 1949 in Turnchapel near PlymouthEngland) is an English electric violinist, best known for playing with progressive rock band King Crimson during the 1970s[1] (particularly on Larks' Tongues in Aspic and Starless and Bible Black). He also plays keyboards.[2]
After King Crimson, Cross formed a jazzy improvising band called They Came from Plymouth.[3] With Keith Tippett (piano), Dan Maurer (drums) and Jim Juhn (guitar, bass, percussion), he formed a short-lived project in 1987 called Low Flying Aircraft. In 1998, he was invited by Geoff Serle to join Radius. Besides Cross and Serle (keyboards, electronics, samples), Radius included Sheila Malony (on keyboards), Maxine Braham and Carlo Lucius Asciutti (vocals).
Since the mid-1980s, he has also led his own band, the earlier incarnations of which featured American drummer Dan Maurer, English keyboard player Sheila Maloney and the Liverpool bassist/vocalist John Dillon. Former and current King Crimson members John WettonRobert Fripp, and Peter Sinfield, as well as guest lyricist Richard Palmer-James, have all guested on his solo projects.

Cross has also worked in theatre both musically and as an actor. In 1999, he formed Noisy Records.

David Cross ‎– Memos From Purgatory

Label:
Red Hot Records (5) ‎– CDR 103
Format:
CD, Album
Country:
Released:
Genre:
Style:

Tracklist Hide Credits

1 Poppies
Bass – Tim Carter
3:57
2 Meantime 9:40
3 The First Policeman 5:33
4 Animal 6:27
5 New Dawn 6:19
6 Postscript 4:52
7 Bizarre Bazaar 4:04
8 Basking In The Blue
Engineer – Guy CampbellProducer – David Cross, Guy Campbell, Sheila Maloney
3:10

Credits

 

16 October 2018: Stick Men Live in Houston

Stick Men is a progressive rock band founded in 2007 by Pat Mastelotto, Tony Levin, and Michael Bernier. Since 2010, the lineup stabilized around Mastelotto, Levin, and Markus Reuter. The band was formed as a vehicle for progressive rock music performed almost exclusively with Chapman Sticks and drums. Wikipedia
 
stickmen-bootlegs.bandcamp.com/album/20180926-dosey-doe-houston-tx-board-mix-free-download

We are now making recordings like this publicly and officially available for purposes of archiving, (our own) historical research, and for your enjoyment as a fan and collector. Each show is offered for appropriately chosen price and the proceeds from these downloads will get split evenly between Tony, Markus, Pat, and Robert, the four people who worked as a team to make this music come alive. Feel free to donate more if you can.

We appreciate your interest and your support. We have many audience recordings lined up for this series (unauthorized audience recordings, but also Robert Frazza's board mixes, as well as many of his multi-track recordings, which still need to get mixed), and we will be adding more in good time.

credits

released October 10, 2018

Tony Levin: Chapman Stick, Voice
Markus Reuter: Touch Guitars® AU8, Live Looping
Pat Mastelotto: Drums, Loops, Samples
Robert Frazza: F.O.H. engineer

Special thanks to the audience for coming out to your concerts.

Markus Reuter plays Touch Guitars®
www.touchguitars.com
 
Here is a note from Markus Reuter with the free download link:
Dear Friends in Music

Let’s celebrate Stick Men’s 10th anniversary with a free download!

We are offering to our fans the full Woodlands / Houston concert of the band at Dosey Doe’, professionally recorded by our sound engineer Robert Frazza on September 26th this year.

stickmen-bootlegs.bandcamp.com/album/20180926-dosey-doe-houston-tx-board-mix-free-download

TONY LEVIN Chapman stick
MARKUS REUTER Touch Guitar
PAT MASTELOTTO drums, electronics

Enjoy!

Direct link:
stickmen-bootlegs.bandcamp.com/album/20180926-dosey-doe-houston-tx-board-mix-free-download

TRACK LIST:

1.


2.


3.
05:49


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5.


6.


7.
05:47


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9.


10.


11.
05:38


12.


13.
06:10


14.
07:37


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16.
12:48